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RIETI, VITTORIO (1898–1994)

Complete Piano Solo and Duo Works • 3


  • Giorgio Koukl, piano
  • Virginia Rossetti, piano

Vittorio Rieti won esteem for his orchestral music which was conducted by titans such as Toscanini and Stokowski, but the piano remained his greatest musical love. Rieti’s vivid freshness can be appreciated in the selections in this volume, which ranges from the choreographed movement of his late works, including the Variazioni enarmoniche – an example of his elegance, humour and command of variational form – to the deliciously descriptive wit of his early works. Giorgio Koukl, whom The Art Music Lounge called ‘one of the five or six greatest living pianists today’, is once again joined by award-winning pianist, Virginia Rossetti – together they offer ‘an object lesson in duo-piano balance’ (Fanfare on Volume 2 in this series, GP938).

Tracklist

1
Scherzo-March (1976) (00:03:45)
 
Variazioni enarmoniche (1986) (00:10:30 )
2
Tema corale (00:01:11)
3
Variation 1 (00:00:42)
4
Ritornello I (00:00:24)
5
Variation 2: Meno mosso (00:00:55)
6
Variation 3: Allegretto scherzoso (00:00:36)
7
Ritornello II (00:00:13)
8
Variation 4: Poco meno (00:00:42)
9
Variation 5: Vivace (00:00:27)
10
Variation 6: Andante moderato espressivo (00:01:33)
11
Ritornello III (00:00:17)
12
Variation 7: Poco meno (00:00:45)
13
Variation 8 (00:00:43)
14
Variation 9: Allegro con spirito (00:00:31)
15
Coda (00:01:26)
16
Improvviso (1979) (00:03:29)
 
Triptych (1982) (00:09:30 )
17
I. Andante tranquillo - Allegretto (00:01:55)
18
II. Andante tranquillo - Dolcemente moderato (00:05:02)
19
III. Andante tranquillo - Allegro (00:02:24)
20
Introduzione e bagatella (1978) (00:02:08)
21
Moonlight Dance (1978) (00:00:51)
22
Rondo (1989) (00:02:11)
 
3 Marcie per le bestie () (00:10:00 )
23
No. 1. Marcia funebre per un uccellino (00:03:31)
24
No. 2. Marcia nuziale per un coccodrillo (00:03:51)
25
No. 3. Marcia militare per le formiche (00:02:33)
26
Pastorale (1920) (00:03:21)
27
Valentine Waltz (1957) (00:01:12)
28
Meditazione in istile di Ricercare () (00:01:54)
29
Alla francese (1961) (00:02:39)
 
3 Preludi (1931) (00:09:00 )
30
No. 1. Vivace e scorrevole (00:02:08)
31
No. 2. Allegretto marziale (00:03:07)
32
No. 3. Allegro impetuoso (00:03:41)
Total Time: 01:00:07

The Artist(s)

Giorgio Koukl Giorgio Koukl is a Czech pianist/harpsichordist and composer. He studied at both the Conservatories of Zürich and Milan, where he took part in the masterclasses of Nikita Magaloff, Jacques Février, and Stanislaus Neuhaus, and with Rudolf Firkušný, friend and advocate of Czech composer Bohuslav Martinů. It was through Firkušný that Koukl first encountered Martinů‘s music, and is now considered one of the world’s leading interpreters of Martinů‘s piano music. As a logical continuation of this work, Koukl has recorded the complete solo piano works of Paul Le Flem, Alexander Tcherepnin, Arthur Lourié, Vítězslava Kaprálová, Witold Lutosławski, and more recently, Alexandre Tansman and Tibor Harsányi.
Virginia Rossetti Virginia Rossetti began her piano studies with Massimiliano Ferrati, later attending the ‘Antonio Buzzolla’ Conservatory in Adria where she graduated with honours. She has a Master of Performing Arts with distinction at the Hochschule für Musik in Basel and a Master in Pedagogy at the Conservatorio della Svizzera italiana. Rossetti is a prize winner of several national and international piano competitions including the Premio Venezia 2009, reserved for the best graduates under the patronage of the Republic’s President, and the Premio Marizza in Trieste.

The Composer(s)

Vittorio Rieti ‘My music may not be performed often, but it is performed all over the world’, wrote the Italian-American composer Vittorio Rieti (1898–1994). His orchestral works were conducted and admired by luminaries such as Rafael Kubelík, Leopold Stokowski and Arturo Toscanini but it was the piano that was arguably Rieti’s first and most significant musical love to which he brought a natural, effortless and brilliant style. The Second Avenue Waltzes for two pianos, one of his greatest works, is an expression of his maturity and full of charm, whereas the later Twelve Preludes for solo piano reveal a wealth of inventiveness. One of his most successful pieces, the Suite champêtre for two pianos, is fuelled by grace and elegance. Giorgio Koukl has been called ‘one of the five or six greatest living pianists today’ by The Art Music Lounge; he is joined in the works for piano duo by the prize-winning pianist Virginia Rossetti.