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ROTA, NINO (1911–1979)

Complete Solo Piano Works • 1


  • Eleanor Hodgkinson, piano

Nino Rota embraced neo-Classical, neo-Romantic and even neo-Baroque affiliations. His music prized melodic directness and communicative generosity and it is not therefore surprising that he should be best known for his epochal film scores—the music for The Godfather pre-eminently.

Nino Rota’s 15 Preludes utilise melodic and harmonic explorations to chart music that is agitated and melancholic, but also joyous and comedic. The Fantasia in G comprises seven themes—folkloric, droll and ultimately heroic. A late work, the 7 Pezzi difficili per bambini is generous in its emotional directness.

This recording was made on a modern instrument: Steinway, Model D

Tracklist

 
15 Preludes (1964) (00:21:00 )
1
No. 1. Allegro molto (00:01:43)
2
No. 2. Allegro, ma espressivo e delicato (00:01:41)
3
No. 3. Allegretto con spirito (00:01:26)
4
No. 4. Andante sostenuto ed espressivo (00:01:53)
5
No. 5. Con impeto (00:02:13)
6
No. 6. Andante (00:01:57)
7
No. 7. Allegro con spirito (00:01:30)
8
No. 8. Lento con accento (00:02:16)
9
No. 9. Allegretto quasi andantino (00:01:41)
10
No. 10. Allegro mosso e marcato (00:01:10)
11
No. 11. Andante senza lentezza (00:02:39)
12
No. 12. Allegro (00:01:56)
13
No. 13. Andante cantabile (00:02:23)
14
No. 14. Allegro non troppo e marcato (00:01:44)
15
No. 15. Allegro robusto (00:01:28)
16
Fantasia in G Major (1945) (00:16:32)
 
7 Pezzi Difficili per Bambini (7 Difficult Pieces for Children) (1971) (00:12:00 )
17
No. 1. Salti e giochi (Skips and Games) (00:01:00)
18
No. 2. Capriccio (Caprice) (00:01:12)
19
No. 3. Cantilena (Lullaby) (00:02:40)
20
No. 4. Le scalette (Little Scales) (00:01:50)
21
No. 5. Grillo notturno (Cricket in the Night) (00:01:33)
22
No. 6. Puccettino nella giungla (Puccettino in the Jungle) (00:02:09)
23
No. 7. L'acrobata (The Acrobat) (00:01:46)
Total Time: 00:56:22

The Artist(s)

Eleanor Hodgkinson Pianist Eleanor Hodgkinson divides her time between performing, teaching and writing. A versatile chamber musician, she has performed and recorded with Mid Wales Opera, Southern Sinfonia, Orchestra of the Swan and Nevill Holt Opera. Hodgkinson is the keyboard coordinator at the Junior Academy of the Royal Academy of Music, where she has taught piano and chamber music for over 20 years; additionally, she is the specialist piano tutor for the LRAM teaching qualification. She is a principal lecturer in piano at Leeds Conservatoire and an external examiner at the Royal Birmingham Conservatoire and the Royal College of Music. An award-winning student, Hodgkinson studied with Renna Kellaway and Carole Presland at the Royal Northern College of Music. In 2013 she obtained an MA in music psychology from the University of Sheffield.

The Composer(s)

Nino Rota The core aspects of Rota’s compositional ‘fingerprints’ include the attention he gave to his pre-eminence of melodic line, a harmonic language that supports and drives the music to structural points, multiple stylistic influences that exist within an intertextual framework, and an immediacy in the projection, and importantly in the communication to the listener, of differing emotions in the music. Rota’s works could be placed within a broad neo-Classical perspective, though certain works are clearly neo-Romantic or neo-Baroque.

Reviews

“Ms Hodgkinson plays all beautifully, with a solid warm tone that draws the listener into the music. The sound is exceptional. I enjoyed this.” – American Record Guide