“The programme on this album comprehensively encapsulates Armenian 20th century compositional tendencies: national traits, Soviet music traditions, and, of course, personal feelings and disobedience of composers. This album is particularly special since we have featured piano works by Gayane Chebotarian, the first Armenian female composer of the Soviet period, who contributed greatly to the general identity of Armenian music. The piano solo works of two other composers who were part of the Armenian "Mighty Handful" – Sarian and Mirzoian – are also presented in this recording and join my previous two Grand Piano releases (Babadjanian [GP674] and Arutiunian [GP718]). The peak of Avant-Garde traditions is reflected by the work Three Pieces by Tigran Mansurian, the most outstanding living Armenian composer in the world. I had the privilege of performing for the composer in 2009 and learning his own understanding of the Pieces.” — Hayk Melikyan
This selection of Armenian piano music reflects the national characteristics, influences and technical developments of its composers over a 70-year period. The colourful dance element spiced with Armenian modes that is so distinctive is contrasted by Tigran Mansurian’s courageous avant-garde Three Pieces from 1971. The Armenian ‘Mighty Handful’ are represented by quintessential works by Mirzoian and Sarian, while several world première recordings expand an appreciation of the national style’s variety and versatility with music couched in ethereal depth and lyric virtuosity.
This recording was made on a modern instrument: Shigeru Kawai Concert Grand
Chebotarian, Gayane
|
6 Preludes (1948) (00:16:00 )
|
1
No. 1. Andante (00:03:33)
|
2
No. 2. Allegro grazioso (00:02:02)
|
3
No. 3. Adagio con duolo (00:02:24)
|
4
No. 4. Allegro grazioso (00:01:44)
|
5
No. 5. Andante pastorale (00:04:04)
|
6
No. 6. Allegro (00:02:16)
|
Saryan, Lazar
|
7
Theme and Variations (1947) (00:07:32)
|
8
Dance (1955) (00:03:03)
|
9
Grandfather's Watch (1972) (00:01:03)
|
3 Postludes (1990) (00:06:00 )
|
10
No. 1. Maestoso (00:01:50)
|
11
No. 2. Andantino recitando (00:02:30)
|
12
No. 3. Tempo marciale (00:01:53)
|
Mirzoian, Edvard Mik'aeli
|
13
Poem (1970) (00:05:58)
|
Album for My Granddaughter (1984) (00:13:00 )
|
14
I. Morning (00:01:31)
|
15
II. Mariam (00:02:02)
|
16
III. Meditation (00:03:26)
|
17
IV. Play (00:00:56)
|
18
V. Sad Waltz (00:03:56)
|
19
VI. Toccatina (00:01:22)
|
Chitchian, Geghuni
|
20
Epitaph (2018) (00:08:21)
|
Dellalian, Harutiun
|
Piano Sonata, "Dedication to Komitas" (1982) (00:14:00 )
|
21
I. Largo e rubato (00:09:14)
|
22
II. Allegro (00:04:15)
|
Mansuryan, Tigran Yeghiayi
|
3 Pieces (1971) (00:08:00 )
|
23
No. 1. — (00:04:54)
|
24
No. 2. — (00:03:04)
|
25
No. 3. Largo (00:02:58)
|
“The performances and presentation are beyond reproach. Furthermore, the music is of a very high quality—accessible, but never simple-minded or condescending.” – Fanfare
“Melikyan’s playing is superb and solid, showing that he has wide musical interests. ” – American Record Guide