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BACH, JOHANN SEBASTIAN (1685–1750)

Cello Suites for Solo Piano


  • Eleonor Bindman, piano

J.S. Bach’s genius is universally revered by music lovers, and a significant part of his output was in transcriptions of his own work, a tradition kept alive in Eleonor Bindman’s piano versions of the Six Suites for Solo Cello. Bindman has avoided embellishing these iconic pieces, preserving the intriguing ambiguities in Bach’s implied harmonies and savouring their expressive qualities through the baritone register of a marvellous Bösendorfer piano. These admirably accurate transcriptions reveal the mysterious mathematical grace and flexibility of structure that makes Bach’s art so organic and eternal.

This recording was made on a modern instrument: Bösendorfer, No. 48862

Tracklist

Disc 1
 
Cello Suite No. 1 in G Major, BWV 1007 (arr. E. Bindman for piano) (1720) (00:19:00 )
1
I. Prelude (00:02:18)
2
II. Allemande (00:04:59)
3
III. Courante (00:02:28)
4
IV. Sarabande (00:03:28)
5
V. Menuets I-II (00:03:33)
6
VI. Gigue (00:01:55)
 
Cello Suite No. 2 in D Minor, BWV 1008 (arr. E. Bindman for piano) (1720) (00:20:00 )
7
I. Prelude (00:05:09)
8
II. Allemande (00:02:51)
9
III. Courante (00:02:06)
10
IV. Sarabande (00:04:36)
11
V. Menuets I-II (00:02:51)
12
VI. Gigue (00:02:02)
 
Cello Suite No. 3 in C Major, BWV 1009 (arr. E. Bindman for piano) (1720) (00:20:00 )
13
I. Prelude (00:02:48)
14
II. Allemande (00:03:27)
15
III. Courante (00:03:08)
16
IV. Sarabande (00:03:37)
17
V. Bourrées I-II (00:03:52)
18
VI. Gigue (00:03:12)
Disc 2
 
Cello Suite No. 4 in E-Flat Major, BWV 1010 (arr. E. Bindman for piano) (1720) (00:22:00 )
1
I. Prelude (00:03:56)
2
II. Allemande (00:03:16)
3
III. Courante (00:03:26)
4
IV. Sarabande (00:04:28)
5
V. Bourrées I-II (00:04:12)
6
VI. Gigue (00:02:09)
 
Cello Suite No. 5 in C Minor, BWV 1011 (arr. E. Bindman for piano) (1720) (00:22:00 )
7
I. Prelude (00:05:08)
8
II. Allemande (00:04:59)
9
III. Courante (00:01:58)
10
IV. Sarabande (00:03:20)
11
V. Gavottes I-II (00:04:07)
12
VI. Gigue (00:02:05)
 
Cello Suite No. 6 in D Major, BWV 1012 (arr. E. Bindman for piano) (1720) (00:26:00 )
13
I. Prelude (00:03:17)
14
II. Allemande (00:07:29)
15
III. Courante (00:03:37)
16
IV. Sarabande (00:04:35)
17
V. Gavottes I-II (00:02:59)
18
VI. Gigue (00:03:32)
World Première Recording
Total Time: 02:06:53

The Artist(s)

Eleonor Bindman Pianist, arranger and teacher Eleonor Bindman is known worldwide for ‘Bach playing of the highest order’ (Pianodao), and combines her passions of teaching and performing to bring new repertoire to light through her original transcriptions, scores and recordings. Pianist Magazine declared the 2018 recording of her piano four-hands arrangement of J.S. Bach’s complete Brandenburg Concertos ‘breathtaking in its sheer precision and vitality’. The success of this album led to Stepping Stones to Bach, a set of 48 easy/intermediate piano arrangements, followed by the unprecedented Cello Suites for Solo Piano (GP847⁠–⁠48) and, most recently, Bach’s complete keyboard Partitas (Delos). As Duo Vivace, she and Susan Sobolewski released Out of the Blue, featuring works by Holst, Bernstein and Gershwin. A native of Riga, Latvia, Bindman received a BA in music from NYU and completed her MA in piano pedagogy at SUNY, New Paltz. She is a prizewinner of the New Orleans, Ferruccio Busoni and Jose Iturbi international piano competitions. An active recording artist, performer and teacher, she is currently based in New York City.

The Composer(s)

Johann Sebastian Bach Johann Sebastian Bach belonged to a dynasty of musicians. In following inevitable family tradition, he excelled his forebears and contemporaries, although he did not always receive in his own lifetime the respect he deserved. Despite widespread neglect for almost a century after his death, Bach is now regarded as one of the greatest of all composers. Bach-Werke-Verzeichnis numbers, abbreviated to BWV, are generally accepted for convenience of reference.

Reviews

“Bindman maintains the majesty of Bach’s music, via both her transcription and her convincing command of the keyboard. Whether you’re a purist or a Bach devotee, this satisfying 2-CD set is worthy of a thoughtful listen.” – The WholeNote