“The Cello Suites are the essence of Bach, a meditation which mysteriously connects us to ourselves and to the universe at once. My new transcription of this beloved set shows a refreshing perspective to a pianist, unencumbered by counterpoint and zooming in on the individual line, patterns, tone quality, and the great composer's vocabulary. I find the experience of playing the Suites on the keyboard not only aesthetically satisfying but also relaxing and joyful. We could all use an opportunity to enjoy our music-making without unnecessary stress, especially in current times. I am also eager to bring these 36 pieces to many pianists and students because they are immensely beneficial for working on tone and finger technique.” — Eleonor Bindman
J.S. Bach’s genius is universally revered by music lovers, and a significant part of his output was in transcriptions of his own work, a tradition kept alive in Eleonor Bindman’s piano versions of the Six Suites for Solo Cello. Bindman has avoided embellishing these iconic pieces, preserving the intriguing ambiguities in Bach’s implied harmonies and savouring their expressive qualities through the baritone register of a marvellous Bösendorfer piano. These admirably accurate transcriptions reveal the mysterious mathematical grace and flexibility of structure that makes Bach’s art so organic and eternal.
This recording was made on a modern instrument: Bösendorfer, No. 48862
Cello Suite No. 1 in G Major, BWV 1007 (arr. E. Bindman for piano) (1720) (00:19:00 )
|
1
I. Prelude (00:02:18)
|
2
II. Allemande (00:04:59)
|
3
III. Courante (00:02:28)
|
4
IV. Sarabande (00:03:28)
|
5
V. Menuets I-II (00:03:33)
|
6
VI. Gigue (00:01:55)
|
Cello Suite No. 2 in D Minor, BWV 1008 (arr. E. Bindman for piano) (1720) (00:20:00 )
|
7
I. Prelude (00:05:09)
|
8
II. Allemande (00:02:51)
|
9
III. Courante (00:02:06)
|
10
IV. Sarabande (00:04:36)
|
11
V. Menuets I-II (00:02:51)
|
12
VI. Gigue (00:02:02)
|
Cello Suite No. 3 in C Major, BWV 1009 (arr. E. Bindman for piano) (1720) (00:20:00 )
|
13
I. Prelude (00:02:48)
|
14
II. Allemande (00:03:27)
|
15
III. Courante (00:03:08)
|
16
IV. Sarabande (00:03:37)
|
17
V. Bourrées I-II (00:03:52)
|
18
VI. Gigue (00:03:12)
|
Cello Suite No. 4 in E-Flat Major, BWV 1010 (arr. E. Bindman for piano) (1720) (00:22:00 )
|
1
I. Prelude (00:03:56)
|
2
II. Allemande (00:03:16)
|
3
III. Courante (00:03:26)
|
4
IV. Sarabande (00:04:28)
|
5
V. Bourrées I-II (00:04:12)
|
6
VI. Gigue (00:02:09)
|
Cello Suite No. 5 in C Minor, BWV 1011 (arr. E. Bindman for piano) (1720) (00:22:00 )
|
7
I. Prelude (00:05:08)
|
8
II. Allemande (00:04:59)
|
9
III. Courante (00:01:58)
|
10
IV. Sarabande (00:03:20)
|
11
V. Gavottes I-II (00:04:07)
|
12
VI. Gigue (00:02:05)
|
Cello Suite No. 6 in D Major, BWV 1012 (arr. E. Bindman for piano) (1720) (00:26:00 )
|
13
I. Prelude (00:03:17)
|
14
II. Allemande (00:07:29)
|
15
III. Courante (00:03:37)
|
16
IV. Sarabande (00:04:35)
|
17
V. Gavottes I-II (00:02:59)
|
18
VI. Gigue (00:03:32)
|
“Bindman maintains the majesty of Bach’s music, via both her transcription and her convincing command of the keyboard. Whether you’re a purist or a Bach devotee, this satisfying 2-CD set is worthy of a thoughtful listen.” – The WholeNote