“The Orchestral Suites for piano-4-hands transcription and recording became an obvious next project after the worldwide success of the 2018 Brandenburg Duets release. Bach wrote only two sets of secular orchestral works so I knew that an arrangement of the Orchestral Suites would have to follow the Brandenburgs. These four Suites contain wonderful and complex Ouvertures followed by a total of 20 beautiful dances, displaying a kaleidoscope of Bach’s skill, wit and joy. The popular Air from Suite 3 has a more contemplative quality with the theme transposed an octave lower; and the beloved Badinerie from Suite 2 sparkles with added embellishments and echoes. Lesser-known jewels will be discovered by hearing this arrangement, such as the lovely Rondeau and Sarabande from Suite 2 and the exuberantly syncopated Réjouissance from Suite 4. This cycle will provide countless hours of enjoyment for pianists who love Bach and will be excited about this new, relatively easy repertoire.” — Eleonor Bindman
Eleonor Bindman’s new arrangement of Bach’s Orchestral Suites for piano duet follows her widely admired recording of the six Brandenburg Concertos (GP777–78). Once again, the transcription reimagines Bach’s writing using the modern piano, in this case a Bösendorfer. Bindman and her Duo Vivace partner, Susan Sobolewski, draw upon the suite’s dance movements to suggest how Bach might have distributed the material, ordering them for maximum contrast, and succeeding in conveying the music’s vitality and beauty in a new medium.
Overture (Suite) No. 3 in D Major, BWV 1068 (arr. E. Bindman for piano 4 hands) (1731) (00:20:00 )
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1
I. Ouverture (00:06:35)
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2
II. Air, "Air on the G String" (00:04:46)
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3
III. Gavotte I-II (00:03:59)
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4
IV. Bourrée (00:01:27)
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5
V. Gigue (00:02:51)
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Overture (Suite) No. 2 in B Minor, BWV 1067 (arr. E. Bindman for piano 4 hands) (1739) (00:21:00 )
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6
I. Ouverture (00:07:17)
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7
II. Rondeau (00:01:40)
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8
III. Sarabande (00:03:06)
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9
IV. Bourrée I-II (00:02:00)
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10
V. Polonaise - Double (00:03:21)
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11
VI. Menuet (00:01:22)
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12
VII. Badinerie (00:01:32)
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Overture (Suite) No. 4 in D Major, BWV 1069 (arr. E. Bindman for piano 4 hands) (1725) (00:19:00 )
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13
I. Ouverture (00:07:05)
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14
II. Bourrée I-II (00:03:02)
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15
III. Gavotte (00:02:15)
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16
IV. Menuet I-II (00:03:59)
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17
V. Réjouissance (00:02:35)
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Overture (Suite) No. 1 in C Major, BWV 1066 (arr. E. Bindman for piano 4 hands) (1725) (00:22:00 )
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18
I. Ouverture (00:05:56)
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19
II. Courante (00:02:15)
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20
III. Gavotte I-II (00:02:56)
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21
IV. Forlane (00:01:44)
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22
V. Menuet I-II (00:02:53)
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23
VI. Bourrée I-II (00:03:03)
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24
VII. Passepied I-II (00:02:53)
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“…this new set is satisfying and very musical. It will give you a fresh look at some of Bach’s greatest works in piano arrangements that work quite well.” – American Record Guide