“For this next volume in the series, I decided to record the first part of her Theme & Variations sets. The Introductions that precede each theme have a sense of orchestral writing, and the slow variations portray some strong melodic lines, while the themes and the faster variations demonstrate once more the elegance and finesse, charm, wit, and humorous character of her works. My heart holds a special place for her Op. 2, as this is the first known composition by Louise Farrenc, and it is the first piece of hers that I studied and performed seven years ago; the sorrow, the depth of emotions, and the quality of compositional techniques found in the fifth Variation of this set are remarkable.” — Maria Stratigou
Highly respected in the 19th-century Parisian music scene, Louise Farrenc was acclaimed as a pianist and admired by Robert Schumann for her compositions. The Theme and Variation sets are among her most significant works for piano. Their content ranges from the humour and playfulness of the Op. 7 set, to the intimacy and melancholy of Op. 6 on the popular aria ‘O ma tendre musette!’ Maria Stratigou’s recording of the Études (GP912–13) was considered ‘beguiling piano music’ in BBC Music Magazine, confirming once again that Farrenc has been unjustly neglected as a composer.
1
Variations brillantes sur un thème d'Aristide Farrenc, Op. 2 () (00:11:32)
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2
Grandes variations sur l'air Le premier Pas, Op. 4 (version for piano) (1824) (00:18:02)
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3
Variations brillantes sur un thème (air) de La Cenerentola de Rossini, Op. 5 (1830) (00:08:32)
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4
Variations sur l'air favori O ma tendre musette!, Op. 6 () (00:06:57)
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5
Air suisse varié, Op. 7 (1832) (00:08:22)
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6
Variations brillantes sur un thème du Colporteur de G. Onslow, Op. 10 (1828) (00:11:10)
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7
Adieux à la Suisse. Thème de Bruguière, varié () (00:03:44)
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8
Theme and Variations in F Major () (00:02:44)
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9
Theme and Variations in G Major () (00:03:24)
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“Grand Piano and Ms Stratigou are doing sterling service on behalf of Louise Farrenc…” – MusicWeb International