Joachim Raff was a largely self-taught composer whose style stands somewhere between the German traditionalism of Schumann and the newer school of Wagner. Raff composed seven Suites for Piano, a form he preferred to the sonata, and this provided him with greater freedom as a composer, resulting in his most substantial contribution to the piano literature. This is reflected in the Mendelssohn-like lyricism of the First Suite; contrasts between Baroque and Romantic styles in the Third Suite, a piece admired by Liszt; and more nationalist inclinations in the memorably melodic Fifth Suite.
Piano Suite No. 1 in A Minor, Op. 69 (1857) (00:11:30 )
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1
I. Preludio (00:01:58)
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2
II. Mazurka (00:02:31)
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3
III. Toccatina (00:01:23)
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4
IV. Aria (00:03:24)
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5
V. Fuga (00:01:50)
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Piano Suite No. 3 in E Minor, Op. 72 (1857) (00:15:30 )
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6
I. Preludio (00:02:30)
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7
II. Minuetto (00:02:38)
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8
III. Toccata (00:02:03)
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9
IV. Romanza (00:04:17)
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10
V. Fuga (00:03:51)
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Piano Suite No. 5 in G Minor, Op. 162 (1870) (00:31:30 )
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11
I. Elegie in Sonatenform (Elegy in Sonata Form) (00:08:40)
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12
II. Volkslied mit Variationen (Folksong with Variations) (00:12:46)
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13
III. Ländler (00:04:43)
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14
IV. Märchen (Fairy Tale) (00:05:01)
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