Florent Schmitt’s compositions are not easily categorised, and his compositional ethos, based on the requirements of the music or on the literary, historical or geographic source of inspiration, varied more in style than that of his contemporaries. From the age of seventeen, when he devoted himself to a career in music, Schmitt maintained his French musical lineage, incorporating as its essential element what he called “seductive harmony”. Yet his individual musical language gathered energy from all that he experienced. In spite of his connections to the music of his countrymen, Schmitt’s music avoids easy classification. He has been labelled a product of German romanticism, French sensibilities, exotic locales, Russian experimentalism, and orientalisms. In reality he is an independent, creative force to be reckoned with; one who made authentically original contributions to twentieth-century music.