“What a sheer joy it is to witness the release of CD 2. Along with Schmitt’s poignant and spirited Reflets d’Allemagne, it introduces for the first time on disc his Sur cinq notes and Huit courtes pièces. The entire melodic content of the latter two works is based on a mere five–note set, with the composer exhibiting his trademark wittiness, variety and brilliant invention.” — Invencia Piano Duo
Florent Schmitt was one of the most original and influential French composers of his time. His music shimmers with luxuriant melodies, good humour and a fearless harmonic vocabulary. This second of four volumes is filled with innovation and stylistic bravura, from the remarkable variety to be found in Sur cinq notes to the balletic poetry of Reflets d’Allemagne.
This recording was made on a modern instrument: Steinway, Model D
Sur 5 notes, Op. 34 (1906) (00:16:11 )
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1
I. Ronde * (00:01:08)
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2
II. Barcarolle * (00:02:41)
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3
III. Mazurka * (00:01:51)
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4
IV. Bercement * (00:02:41)
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5
V. Danse pyrénéenne * (00:00:59)
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6
VI. Mélodie * (00:03:24)
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7
VII. Pastorale * (00:02:17)
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8
VIII. Farandole * (00:01:13)
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Reflets d'Allemagne, Op. 28 (1912) (00:20:04 )
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9
I. Heidelberg (00:02:43)
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10
II. Coblentz (00:03:09)
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11
III. Lübeck (00:03:15)
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12
IV. Werder (00:02:45)
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13
V. Vienne (00:03:04)
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14
VI. Dresde (00:02:10)
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15
VII. Nuremberg (00:03:11)
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16
VIII. Munich (00:03:23)
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8 Easy Pieces, Op. 41 (1908) (00:19:11 )
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17
No. 1. Ouverture * (00:02:36)
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18
No. 2. Menuet * (00:02:14)
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19
No. 3. Chanson * (00:02:45)
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20
No. 4. Sérénade * (00:01:56)
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21
No. 5. Virelai * (00:01:11)
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22
No. 6. Boléro * (00:03:18)
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23
No. 7. Complainte * (00:03:16)
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24
No. 8. Cortège * (00:01:57)
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The Invencia Piano Duo has won high critical acclaim for its compelling interpretations of a vast and diverse repertoire. Lutsyshyn was a prizewinner at the Vienna Modern Masters International Performers’s Recording Awards Competition and the William Kapell International Piano Competition. Kasparov won the Albert Roussel Prize at the Orléans International Piano Competition and gave the première of Bartók’s Piano Concerto No. 3 to great acclaim.
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“When it comes to expressiveness and communication, Invencia’s elegance and telepathic sense of timing make for a highly satisfying brace of recitals.” – MusicWeb International
“Kasparov and Lutsyshyn play with great clarity and precision, carefully bringing out the intrinsic two-piano nature of the music’s construction.” – MusicWeb International