Eduard Ivanovich Bagdasarian was a key figure in the modern development of Armenian music, and his piano works have a unique importance in an oeuvre which covered almost every genre. The tremendously varied 24 Preludes encompass all of the major and minor keys with the added colour of Armenian modes. This mastery of miniature forms contrasts with the impassioned and ambitious Rhapsody, while the archetypally Romantic Nocturne draws on the tradition of the great Russian Adagio.
This recording was made on a modern instrument: Steinway Model D 274
24 Preludes (1958) (00:52:34 )
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1
No. 1 in C Major * (00:01:29)
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2
No. 2 in A Minor * (00:00:35)
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3
No. 3 in G Major * (00:00:38)
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4
No. 4 in E Minor * (00:01:18)
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5
No. 5 in D Major * (00:01:16)
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6
No. 6 in B Minor * (00:03:18)
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7
No. 7 in A Major * (00:02:13)
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8
No. 8 in F-Sharp Minor * (00:00:45)
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9
No. 9 in E Major * (00:01:11)
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10
No. 10 in C-Sharp Minor * (00:02:48)
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11
No. 11 in B Major * (00:01:53)
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12
No. 12 in G-Sharp Minor * (00:02:29)
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13
No. 13 in F-Sharp Major * (00:01:17)
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14
No. 14 in E-Flat Minor * (00:03:01)
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15
No. 15 in D-Flat Major * (00:01:12)
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16
No. 16 in B-Flat Minor * (00:01:01)
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17
No. 17 in A-Flat Major * (00:00:46)
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18
No. 18 in F Minor * (00:01:09)
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19
No. 19 in E-Flat Major * (00:01:23)
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20
No. 20 in C Minor * (00:03:35)
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21
No. 21 in B-Flat Major * (00:01:35)
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22
No. 22 in G Minor * (00:00:42)
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23
No. 23 in F Major * (00:00:34)
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24
No. 24 in D Minor * (00:03:36)
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25
Rhapsody (version for violin and piano) (1958) (00:12:45)
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26
Nocturne in A Major (1957) (00:04:47)
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“Mikael Ayrapetyan makes the best possible case for this music, enshrined in a fine recording.” – International Piano
“In praising this music, I am by default praising the playing of pianist Ayrapetyan, whose style is so wonderfully musical yet self-effacing that attention is always drawn to the composer.” – Fanfare