The composer, pianist and teacher Eduard Aslanovich Abramian was one of the most significant and respected figures in the development of modern Armenian music. Drawing on features of Armenian folklore, Abramian’s impressive 24 Preludes do not follow a highly-structured tonal scheme but one which appears to be spontaneous, key following key principally to satisfy the need for dramatic contrast of mood and colour.
This recording was made on a modern instrument: Steinway Model D 274
24 Preludes (1972) (00:54:58 )
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1
No. 1 in E-Flat Major (00:01:23)
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2
No. 2 in C Major (00:02:54)
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3
No. 3 in E Minor (00:02:14)
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4
No. 4 in E-Flat Minor (00:03:05)
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5
No. 5 in D Minor (00:04:41)
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6
No. 6 in C-Sharp Minor (00:02:00)
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7
No. 7 in D-Flat Major (00:02:56)
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8
No. 8 in B-Flat Major (00:02:13)
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9
No. 9 in F-Sharp Major (00:02:51)
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10
No. 10 in E Major (00:01:26)
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11
No. 11 in F-Sharp Minor (00:03:16)
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12
No. 12 in F Minor (00:01:36)
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13
No. 13 in A Major (00:03:09)
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14
No. 14 in B-Flat Minor (00:01:21)
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15
No. 15 in D Minor (00:03:50)
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16
No. 16 in F Major (00:02:16)
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17
No. 17 in B Major (00:01:15)
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18
No. 18 in G Minor (00:02:10)
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19
No. 19 in G-Sharp Minor (00:02:54)
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20
No. 20 in A-Flat Major (00:02:52)
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21
No. 21 in C Minor (00:01:55)
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22
No. 22 in G Major (00:03:02)
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23
No. 23 in E-Flat Minor (00:02:43)
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24
No. 24 in B Minor (00:02:42)
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“Mikael Ayrapetyan’s assured technique and natural flair for his countryman’s aesthetic result in performances that effortlessly fuse poetic nuance and high-octane virtuosity.” – ClassicsToday.com
“The consistency of Abramian’s inventiveness keeps one engaged throughout the hour.” – Fanfare
“Mikael Ayrapetyan plays all of it with due reverence for his compatriot’s music…” – MusicWeb International