“It is a joy to play the piano works of Voríšek, whose music delights the senses and touches the soul. The music’s pure innocence, exuberance and ineffable intimacy not only reminds me of Schubert, but also seems as though the composer was an inspiration for his Viennese friend. This “orphan of life”, with his gift of genius, reveals a new, sensuous world, and leaves us a treasure at the threshold of Romanticism.” — Biljana Urban
Bohemian born composer Jan Hugo Voríšek settled in Vienna and became a close friend of Schubert. Voríšek’s Impromptus Op. 7 were the first to bear this title, their lyric influence anticipating the entire Romantic period. The brilliant Fantasy combines improvisation with structural rigour, while the Sonata Op. 20 is a masterpiece to rival the sonatas of Beethoven.
This recording was made on a modern instrument: Steinway, Model D
6 Impromptus, Op. 7 (1820) (00:04:34 )
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1
No. 1 in C Major (00:05:26)
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2
No. 2 in G Major (00:05:23)
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3
No. 3 in D Major (00:06:14)
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4
No. 4 in A Major (00:08:15)
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5
No. 5 in E Major (00:09:54)
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6
No. 6 in B Major (00:08:46)
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7
Fantasie in C Major, Op. 12 (1822) (00:13:00)
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Piano Sonata in B-Flat Minor, Op. 20, "Quasi una fantasia" (1824) (00:21:48 )
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8
I. Allegro con brio (00:11:44)
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9
II. Scherzo: Allegro (00:05:52)
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10
III. Finale: Allegro con brio (00:04:12)
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“With her compelling touch Biljana Urban transported me utterly into the rapture of this music. ” – Pianist
“Urban plays Op. 20 with magnificent breadth and weight.” – Culture Catch
“Urban’s dedication to Vorisek is most wonderful. Her style, virtuosity, understanding and enthusiasm render full justice to this composer who has undeservedly remained neglected…” – Klassieke Zaken