“When I started recording Voríšek's complete piano works, I was very enthusiastic about his music; now that I have finished recording all three albums, I am ebullient. His unique musical language is marked by innovative harmonic thinking and reveals a composer who was ahead of his time. Infinite longing, the hallmark of Romanticism, appears discreetly in these works, probably deriving from the Czech pastoral féerie that imbues all Voríšek's music. This second album is admirably filled with dedications, shy confessions of desire, insouciance and pleasures. But it also takes us by surprise, making us laugh. Humour in music is a characteristic of the greatest masters.” — Biljana Urban
This second volume devoted to the music of Bohemian-born Jan Hugo Vorišek charts his rapid compositional development from the early Stammbuchblatt and Impromptu in B flat to the tone-painting of the Rondos, Op.18. His early training with Václav Tomášek remained potent but so too did the new ethos of Beethoven. His character pieces share something of Schubert’s harmonic ideas and suggest why Vorišek should be seen as a leading Viennese composer in the first quarter of the nineteenth-century.
This recording was made on a modern instrument: Steinway, Model D
1
Theme and Variations in B-Flat Major, Op. 19 (1822) (00:10:46)
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2 Rondos, Op. 18 () (00:02:32 )
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2
No. 1 in C Major (00:02:26)
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3
No. 2 in G Major (00:02:26)
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4
Le Desir, Op. 3 (1819) (00:12:50)
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5
Le Plaisir, Op. 4 (1819) (00:08:09)
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6
Eclogue in C Major (c1824) (00:08:54)
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7
Impromptu in F Major (1824) (00:07:37)
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8
Impromptu in B-Flat Major (1817) (00:03:03)
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9
Stammbuchblatt in A Major (1817) (00:01:28)
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“…Biljana Urban illuminates Voríšek’s music very effectively and the disc is extremely enjoyable.” – MusicWeb International
“…Pianist Biljana Urban immerses with devotion and love in Vorisek’s amiable pages. Due to her appropriate approach these solid piano pieces gain charm and grace…” – Klassieke Zaken