“Recording Johan Kvandal´s piano works has really been like walking down ‘memory lane’ for me. I was introduced to his music many years ago by my piano teacher at that time, and now I have had the pleasure of exploring his complete works for piano. It is appealing to me that Kvandal was often inspired by folk music. However, he always kept his own personal touch. On many occasions, he had to fight against the musical ‘establishment’ because he refused to follow the avant-garde trends of his time. In recent years his music has earned a well-deserved renaissance. I am grateful and happy for being able to introduce more of his works to the public and to bring greater awareness of his music.” — Joachim Knoph
Johan Kvandal was one of Norway’s most highly esteemed 20th-century composers. He wrote a substantial body of works, notably orchestral, vocal and instrumental, that was popular with musicians and audiences alike. Initially encouraged by his father, the composer David Monrad Johansen, when he followed the predominantly nationalist trends of the 1920s and 1930s, Kvandal went on to study in Paris and Vienna, absorbing some of the infuences of composers such as Bartók, Stravinsky and Messiaen. From the 1970s onwards, a return to Norwegian folk-music as the very building bricks of his compositions, combined with the musical currents of the time, led to the development of an attractive and sometimes daring musical language described by Kvandal himself as “modern tonality”.
This recording was made on a modern instrument: Steinway, Model D
3 Slåttefantasier (Fantasies on 3 Country Dances), Op. 31 (1969) (00:02:29 )
|
1
No. 1. Skjeggeloppa, Munnharpeslått (Jew's Harp Slått) (00:02:45)
|
2
No. 2. Langeleikimprovisasjon (Langleik improvisation) (00:03:55)
|
3
No. 3. Vigstadmoen (Springleik for fiddle) (00:03:29)
|
5 Små klavérstykker (5 Small Piano Pieces), Op. 1 (1940) (00:08:00 )
|
4
No. 1. Moderato con moto * (00:00:49)
|
5
No. 2. Moderato * (00:01:27)
|
6
No. 3. Allegretto * (00:00:50)
|
7
No. 4. Risoluto * (00:00:50)
|
8
No. 5. Andantino * (00:01:38)
|
9
Skipper Worse: Klokkespillmenuett (Glockenspiel Minuet) (1988) * (00:01:49)
|
10
Stemning. Fra en gammel kladdebok (Mood. From an Old Sketchbook) (1952) * (00:02:22)
|
8 Folketoner (8 Folk Tunes), Op. 70 (1987) (00:08:45 )
|
11
No. 1. Skjemtevise, "Kjetta sett' opp veven sin" (00:00:55)
|
12
No. 2. Um morgon tidleg, "Um morgon tidleg på høgste nut" (00:01:35)
|
13
No. 3. Bonden og reven, "Eg gjekk meg i dalen og skaut meg ein rev" (00:00:49)
|
14
No. 4. Kjærlighetssang, "Kvi ror du so du fagre ungersvein" (00:01:35)
|
15
No. 5. Dans, "Tak hardt uti hand, trø lett utpå fot" (00:00:46)
|
16
No. 6. Velkomstsang, "I være velkommen kong Albret" (00:01:28)
|
17
No. 7. Vesle Ola Finndal (00:01:26)
|
18
No. 8. Å hanen han satt upp på bjelken (00:00:54)
|
19
Rondo Grazioso, Op. 5, No. 1 (1942) (00:05:33)
|
20
Mysterier (Mysteries), Op. 75, Act II: Valse (version for piano) (1994) * (00:02:30)
|
21
Fantasy, Op. 8 (1947) (00:05:45)
|
22
Munnharpevals (Jew's Harp Waltz) (1980) * (00:02:12)
|
Lyric Pieces, Op. 5, Nos. 4-7 (1946) (00:08:16 )
|
23
No. 4. Intermezzo No. 1: Andante sostenuto * (00:02:25)
|
24
No. 5. Intermezzo No. 2: Andante * (00:01:20)
|
25
No. 6. Capriccio: Allegro molto * (00:02:20)
|
26
No. 7. Scherzino: Allegro scherzando * (00:02:14)
|
3 Folketoner (3 Norwegian Folk Tunes), Op. 5, No. 2 (1948) (00:04:00 )
|
27
a. Lokk fra Lom (Shepherd's call from Lom) * (00:01:03)
|
28
b. Sjung amen! (Sing amen) * (00:01:00)
|
29
c. Då e` va liti (When I was little) * (00:02:11)
|
30
Mosaikk - Pianomusikk gjennom tidene (Mosaics - Piano Music through the Ages), Book 1: Dans (Dance) (1998) (00:00:47)
|
Piano Sonatina, Op. 2 (1941) (00:12:48 )
|
31
I. Allegro energico * (00:04:00)
|
32
II. Andante * (00:05:32)
|
33
III. Presto non troppo * (00:03:13)
|
Joachim Knoph has performed as a pianist in a number of European countries, as well as several times in, among others, China and Russia. He has collaborated with many of Norway’s most distinguished instrumentalists and singers, and has won prizes and grants such as the Yamaha award. He has participated in several commercial recordings, and already, as a student, he was a soloist with the Norwegian Radio Orchestra on a CD conducted by Ari Rasilainenen of two piano concertos by F.J. Berg. Joachim Knoph received his first piano lessons from Helene Jensen, Wolfgang Plagge and Jens Harald Bratlie, followed by studies at the Norwegian Academy of Music under Einar Steen-Nøkleberg. Thereafter followed further diploma studies with Jiří Hlinka at the Malmö Academy of Music/Barratt Due Institute of Music. He has also been a student of Nelson Delle-Vigne Fabbri at the Ecole Normale de Musique Alfred Cortot in Paris. Joachim Knoph is also active as a composer, including music for films.
“He [Knoph] makes it so good that you immediately love the album. …The wonderful sound of the recording contributes a lot to the listening pleasure. ” – Piano News