“The music of Johannes Brahms has always been close to my heart. I feel incredibly privileged to have recorded this music in this transcription for solo piano by Paul Klengel and I can imagine Brahms himself playing these pieces on his own piano demonstrating the wonders of the music to his close friends and colleagues. Having known and loved these two works for most of my musical life I found it both interesting and revealing to study and play the music in this version for solo piano and there are moments in the music that made me think of so much other great music by Brahms. I was immediately reminded of the early symphonic piano sonatas when playing the scherzo and finale of the Horn Trioand the intimate characters and reflective harmonies of the Clarinet Quintet are reminiscent of the Intermezzi and Capricci in his late piano music.” — Christopher Williams
The 19th century witnessed an almost insatiable demand for arrangements and transcriptions to be played on domestic pianos. Brahms himself wrote such works under the names GW Marks and Karl Würth but friends and colleagues also contributed. The violinist, pianist and conductor Paul Klengel, brother of the eminent cellist Julius, made solo piano versions of the Horn Trio and the Clarinet Quintet, transcribing with remarkable fidelity and sensitivity Brahms’ myriad expressive and technical demands.
This recording was made on a modern instrument: Steinway, Model D
Trio for Violin, Horn and Piano in E-Flat Major, Op. 40 (arr. P. Klengel for piano) (1865) (00:29:00 )
|
1
I. Andante - Poco più animato * (00:08:47)
|
2
II. Scherzo: Allegro * (00:06:41)
|
3
III. Adagio mesto * (00:07:14)
|
4
IV. Finale: Allegro con brio * (00:06:06)
|
Clarinet Quintet in B Minor, Op. 115 (arr. P. Klengel for piano) (1891) (00:41:00 )
|
5
I. Allegro * (00:13:03)
|
6
II. Adagio * (00:12:08)
|
7
III. Andantino - Presto non assai, ma con sentimento * (00:05:56)
|
8
IV. Con moto * (00:10:22)
|
“These arrangements are engaging and virtuosic, and I imagine that you would have had to be a more than competent pianist to do the music justice.” – MusicWeb International