“The pieces in this recording come from two different periods in Ponce's life. The first period covers the time of his self-imposed exile in Havana in 1915, immersing himself in new rhythms and songs from Cuban folk music. The second period belongs to his sojourn in Paris in 1928, during which he incorporated the influences of the Impressionism and new techniques of composition like polytonality. Ponce’s piano music for the most part remains unknown even to most experts. As a performer, having the chance to bring all of his piano music to a worldwide audience, makes this the most extraordinary project for me.” — Álvaro Cendoya
Manuel Ponce was one of Mexico’s most prolific and decorated composers and remains highly esteemed and popular today. Leaving Mexico midway through the Revolution, he lived in Cuba between 1915 and 1917 and soon absorbed the island’s seductive Caribbean sensuality and subtle dances, also expressing melancholic nostalgia for his homeland in the Elegía de la ausencia. While living in Paris from 1925 to 1933, Ponce explored new compositional techniques, resulting in his own modernist style, as heard in the Suite bitonal which is notable not only for its use of polytonality but its inspired lyricism.
This recording was made on a modern instrument: Steinway, Model D
1
Rapsodia cubana I (1915) (00:12:04)
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2
Guateque (1916) (00:02:38)
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Suite cubana (1916) (00:15:08 )
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3
I. Serenata marina (00:03:09)
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4
II. Plenilunio (00:04:26)
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5
III. Paz de ocaso (00:05:37)
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6
Preludio cubano (1916) (00:01:25)
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7
Elegía de la ausencia (1916) (00:02:57)
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8
Cubana (Danza de salón) () (00:01:41)
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9
Moderato malinconico (1928) (00:02:19)
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10
Scherzino (Homenaje a Debussy) (1912) (00:03:04)
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11
Intermezzo No. 2 () (00:04:33)
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12
Preludios encadenados (1927) (00:07:01)
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4 Piezas, "Suite bitonal" () (00:11:58 )
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13
I. Preludio scherzoso (00:03:12)
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14
II. Arietta (00:02:25)
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15
III. Sarabande (00:03:57)
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16
IV. Gigue (00:02:43)
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“The quality of Manuel Ponce’s piano music surprised me: both music and performance are lusty, voluptuous, colorful, dazzling, and soulful.” – American Record Guide
“Álvaro Cendoya is the perfect choice to tackle this challenging realm of Ponce’s repertoire” – LATINO Magazine