A fundamental characteristic of Manuel Ponce’s music is the range of styles and techniques he used throughout his career. The expressive Romanza de amor is a sublime example of his Romantic phase, while his huge contribution to Mexican nationalist music is represented in the folk music that appears in Rapsodia mexicana I and II. Moods of melancholy and nostalgia are evident in the Mazurkas as well as more modernist works such as the Intermezzo (No. 3). This is the fourth volume in Álvaro Cendoya’s critically acclaimed series of Ponce’s complete piano works.
1
Romanza de amor (1914) (00:04:09)
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2
Rapsodia mexicana I (1911) (00:09:58)
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3
Rapsodia mexicana II (1912) (00:09:47)
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4
Arrulladora (1935) (00:02:01)
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5
2 Danzas: No. 1. Mexicana, Danza romántica () (00:04:29)
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6
El Riego (1908) (00:02:48)
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7
Mazurka No. 16 in B-Flat Minor (1910) (00:03:09)
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8
Mazurka No. 17 in E Minor (1913) (00:03:09)
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9
Mazurka No. 18 (27) in E Minor (1917) (00:03:53)
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10
Melodía (version for piano) (1900) (00:03:48)
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11
Intermezzo [No. 3] (Glosario íntimo: IX. Alma triste) (1919) (00:02:43)
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Trozos románticos (1911) (00:26:00 )
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12
Cuaderno I: No. 1. Barcaroletta (00:01:12)
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13
Cuaderno I: No. 2. Cuando viene la primavera (00:01:39)
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14
Cuaderno II: No. 3. Souvenir (00:02:19)
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15
Cuaderno II: No. 4. Malinconia (00:02:22)
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16
Cuaderno III: No. 5. Quimera (00:02:04)
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17
Cuaderno III: No. 6. Su primera mirada (00:01:03)
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18
Cuaderno IV: No. 7. Berceuse (00:02:00)
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19
Cuaderno IV: No. 8. A toi (00:02:04)
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20
Cuaderno V: No. 9. Deseo (00:02:04)
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21
Cuaderno V: No. 10. Hoja de álbum (00:03:21)
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22
Cuaderno VI: No. 11. Petit prélude (00:01:14)
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23
Cuaderno VI: No. 12. Jeunesse (00:01:16)
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24
Cuaderno VII: No. 13. Página de álbum (00:00:53)
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25
Cuaderno VII: No. 14. Scherzino (00:02:21)
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