“Although Bersa was the most influential Croatian composer at the turn from the 19th to the 20th century, his music stayed pretty much unknown to international audiences. When I discovered his piano works, which seem to be evoking styles by other major composers, such as Brahms, Schubert or Liszt, I was very much impressed by his talent. Sometimes raw in the realisation and shaping, but remarkable in his musical intentions, Bersa is a composer who will surely be appreciated by music lovers.” — Goran Filipec
In his orchestral music, Croatian composer Blagoje Bersa absorbed stylistic traits from contemporaries such as Strauss and Mahler, but his piano music reveals a rich diversity drawn from Classical models. His art encompasses charming Chopinesque barcarolles, a melancholic Notturno, a stirring Liszt-inspired Fantaisie-Impromptu, beautiful balletic miniatures and the Brahmsian grandeur of the powerfully conceived Sonata No. 2 in F minor.
This recording was made on a modern instrument: Fazioli, F278
1
Piano Sonata No. 2 in F Minor, Op. 20 (1897) (00:11:36)
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2
Na žalu (At the strand) (1921) (00:03:36)
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3
Notturno, Op. 38 (1903) (00:04:44)
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4
Ora triste, Op. 37 (1903) (00:05:08)
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5
Fantaisie-Impromptu, Op. 27 (1899) * (00:03:58)
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6
Ballabile (1894) (00:01:31)
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7
Bagatella, Op. 16 (1897) * (00:06:48)
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Po načinu starih airs de ballet (Airs de ballet in the Old Way) (1926) (00:09:05 )
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8
No. 1. Fantasia breve: Grave - Andante (00:02:58)
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9
No. 2. Scherzo: Vivo (00:02:19)
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10
No. 3. L’Heure de rêveries: Grave (00:03:47)
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11
Marcia trionfale, Op. 24 (1898) * (00:09:06)
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“…Bersa couldn’t have sought a better prophet for his piano music than Filipec” – Fanfare
“Croatian composer proves a truly exciting discovery.” – Limelight
“…Goran Filipec’s performances…basically left me stunned and speechless from the first notes, and I’m still recovering!.. I cannot recommend this release highly enough” – Gramophone