“Improvisation, singing and dancing were the sources of my first musical experience and inspiration. In Vol. 1, I discovered the vocal singing and orchestral sound of Glinka's improvised variations. In Vol. 2, listeners will delight in the second most natural activity of humans – dancing and rhythm. It's a part of all of us. It's so interesting how Glinka introduced old popular dances of that period to Russian audiences and created these wonderful classical pieces as Russian piano miniatures.” — Inga Fiolia
Glinka wrote a series of delightful polkas, mazurkas, galops and waltzes that were predominantly intended for fashionable drawing rooms and salons. He also wrote more substantial pieces such as the Grande Valse in G major and the Polonaise in E major which were initially scored for orchestra. Some pieces were also based on pre-existing melodies such as the Variations on a theme of Mozart, which is inspired by a melody drawn from Die Zauberflöte, and the attractive Tarantella in A minor, a rhythmic adaptation of the Russian folk song In the field there stood a birch tree.
This recording was made on a modern instrument: Steinway, Model D
1
Grande Valse in G Major (1839) (00:06:47)
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2
Mazurka in C Major (1852) (00:01:23)
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3
Nouvelles Contredanses (1828) (00:04:49)
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4
Tarantella in A Minor (1843) (00:01:00)
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5
Mazurka in C Minor (1843) (00:02:34)
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6
Waltz in B-Flat Major (1838) (00:03:27)
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7
Waltz in E-Flat Major (1838) (00:01:43)
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8
5 Nouvelles Quadrilles Françaises (1826) (00:04:16)
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9
5 Contredanses (1839) (00:02:59)
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10
La Couventine, Contredanses (1839) (00:04:18)
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11
Polka in D Minor (1849) (00:00:37)
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12
Detskaya polka (Children's Polka) (1854) (00:03:38)
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13
Mazurka in F Major (1835) (?1835) (00:02:19)
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14
Bolero in D Minor (1840) (00:05:06)
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15
Mazurka in F Major (1834) (1834) (00:00:46)
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16
Mazurka in A-Flat Major (1834) (00:01:12)
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17
Variations on a Theme of Mozart in E-Flat Major (1st version for piano) (1822) (00:08:38)
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18
Cotillon in B-Flat Major (1828) (00:01:28)
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19
Galop in E-Flat Major (1839) (00:00:39)
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20
Mazurka in G Major (1828) (00:01:10)
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21
Polonaise in E Major (1839) (00:05:03)
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22
Valse-Fantaisie in B Minor (1839) (00:08:07)
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23
Proshchal'nïy val's (Farewell Waltz) (1831) (00:01:01)
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“everything here is played with affection; you’ll be gratified” – Fanfare
“The young German-Georgian pianist plays with zest, energy, and just the right amount of temperament to make it all sound convincing.” – American Record Guide