Esteemed as one of Germany’s leading music critics, Ferdinand Pfohl never lost a passion for composition that had been nurtured in Leipzig. He wrote highly individual works for his own instrument, the piano, conceiving cycles that reveal harmonic daring and sophistication, often evocative of developments in impressionism. As Strandbilder (‘Beach Pictures’) shows, he mastered tonal painting—while in the compositional unity of Suite élégiaque, Bohemian and Russian elements mingle with the influence of one of his great heroes, Grieg.
This recording was made on a modern instrument: Steinway, Model D
Strandbilder (Strand Scenes), Op. 8 () (00:27:00 )
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1
No. 1. Meeresleuchten - Wellenjagd (Sea Luminescence - Hunting the Waves) (00:07:56)
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2
No. 2. In den Dünen (In the Dunes) (00:03:00)
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3
No. 3. Heide-Idyll (Heath Idyll) (00:02:15)
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4
No. 4. Auf dem Friedhof der Namenlosen (At the Graveyard of the Nameless) (00:05:23)
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5
No. 5. Taat-jem-Glaat, "Tal der Küsse" (Vale of Kisses) (00:03:37)
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6
No. 6. Friesische Tanzszene über ein Originalthema (Frisian Dance Scene on an Original Theme) (00:03:50)
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Suite Élégiaque, Op. 11 () (00:42:00 )
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7
I. Prélude (00:07:34)
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8
II. Elégie (00:09:57)
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9
III. Moment musical (00:06:16)
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10
IV. Scherzo bohémien (00:10:09)
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11
V. Fantaisie russe (00:07:55)
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12
Hagbart, Nordische Rhapsodie nach einem Thema von E. Grieg (Hagbart, Nordic Rhapsody on a Theme of E. Grieg) (1882) (00:17:55)
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“The pianist takes this music earnestly, illuminates its stylistic qualities and musical characteristics. And she manages to rouse curiosity about Ferdinand Pfohl and his music.” – Klassik heute
“Two great piano cycles that are definitely to be (re)discovered—“Strandbilder” (1892) and the more than 40 minutes long “Suite élégiaque” (1894)—have found their master pianist in Jamina Gerl. […] This CD is fantastic! ” – Musik und Tanz
“I have very much enjoyed the two major, more mature works on this well recorded, performed and extremely long CD.” – MusicWeb International