“This new volume is full of old favourites and new surprises. Many will be familiar with the melody of Je te veux, but I've decided to perform it in a way that I believe is much closer to the composer's original intention. Satie dedicated it to "the Queen of the Slow valse" so I've slowed down the tempo that people most often hear. I particularly love Tendrement & Illusion, and believe that this music could have been a perfectly fit for the soundtrack of the movie "La La Land." Alongside world premières, other Satie evergreens include Prélude de Mr Mouche, Poudre d’Or, Picadilly and Diva de l’Empire. I hope you enjoy listening to this music as much as I have enjoyed learning and playing them on my own 1905 Erard period piano. Together with a unique booklet full of never-seen-before images and deep detailed text, the journey to discovery is sure to be delightful!” — Nicolas Horvath
‘Everything I undertake misfires immediately. I produce dirty rubbish and that will accomplish nothing.’ So wrote Erik Satie in 1903 during a period of transition that saw him produce the last of his Rose Croix style music in Verset laïque & somptueux, but in making a living writing for the music halls, he also created hugely popular songs such as Je te veux. The works on this fourth volume of Satie’s complete solo piano music were written between 1897 and 1906. They include rare theatre music and tender waltzes that contrast with jaunty ragtime and pantomime dances.
This recording was made on a period instrument: Erard, model 90703 (1905)
Satie, Erik
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1
Pièce sans titre, "Caresse" (1897) (1897) (00:02:23)
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2
Je te veux (1901) (00:05:37)
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Jack in the Box (1899) (00:08:00 )
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3
I. Prélude * (00:02:47)
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4
II. Entr'acte * (00:02:46)
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5
III. Final * (00:02:31)
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6
La mort de Monsieur Mouche: Prélude (1900) * (00:01:32)
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7
Verset laïque et somptueux (1900) (00:00:55)
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8
Le Poisson rêveur (The Dreamy Fish), "Modéré" (1901) (00:07:09)
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9
Le bœuf Angora (The Angora Ox) (version for piano) (1901) (00:05:42)
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10
Poudre d'or (1902) (00:05:51)
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11
Tendrement (version for piano) (1902) * (00:03:00)
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12
Illusion (1902) * (00:04:51)
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13
Le Piccadilly (1904) (00:01:54)
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14
La Diva de l'Empire (Marche chantée dans la Revue Dévidons la bobine!) (1904) * (00:01:56)
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15
La Diva de l'Empire (Intermezzo américain d'après la célèbre chanson de Bonnaud, Blès et Satie) (arr. H. Ourdine for piano) (1904) * (00:03:00)
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Bach, Johann Sebastian
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16
Nun ruhen alle Wälder, BWV 392 (arr. E. Satie for piano) (1906) * (00:01:17)
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Satie, Erik
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17
Pousse l'amour: Chanson andalouse (1906) * (00:02:11)
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18
[Exercise] [pour quatuor à cordes] (1905) * (00:00:40)
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19
Fugue-valse (1906) * (00:01:34)
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20
Passacaille (1906) (00:02:37)
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“Horvath succeeds in the right mix of laconicism, nonchalance and mischievous irony, all with gripping, compact sound and clear contours, always with a feel for the wit in the precious little details.” – Concerti