“One of the most amazing experiences a musician can have is to learn the works of a composer with the composer. It goes far beyond the mere learning of the instrument, as one encounters the most profound essence and deepest understanding of the artist. This is exactly what happened to me when I was a teenager and met José Antonio Bottiroli. As his only piano student, I felt the duty to keep his music alive while faithfully rendering my own interpretation of the essence of his music.” — Fabio Banegas
Argentinian composer, poet and teacher José Antonio Bottiroli found his ideal means of expression in the Romantic idiom and in shorter forms of music. Exploiting the rich resources of the waltz, his pieces are infused with a remarkable range of moods, intimacies, real-life experiences and scenes from nature, as well as portraits of children and loved ones, such as the iconic Verdadero in honour of the composer’s wife—all played with the unique insights of his student and protégé Fabio Banegas.
This recording was made on: Steinway, Model D, number 559445
1
Waltz in G Major, B23 (1971) (00:02:55)
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2
Waltz in E Minor, B27, "Verdadero" (True) () (00:03:51)
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3
Waltz in F Minor, B30, "Chopin" (1974) (00:03:27)
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4
Vals etopeya (Waltz Ethos) in G-Flat Major, B34, "Mario" (1974) (00:04:25)
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5
Waltz in D Major, B43 (1975) (00:03:34)
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6
Waltz in D-Flat Major, B46, "Inspirado" (Inspired) (1976) (00:03:55)
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7
Waltz in G Minor, B61 (1978) (00:01:34)
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8
Waltz in D-Flat Major, B63 (1978) (00:02:37)
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9
Waltz in D-Flat Major, B64 (1978) (00:02:40)
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10
Waltz in F Major, B67 (1978) (00:02:54)
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11
Waltz in A-Flat Major, B72, "Test Vals" (Test Waltz) (1979) (00:02:12)
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12
Waltz in G-Flat Major, B86 (1981) (00:03:22)
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13
Waltz in E-Flat Major, B93 (1984) (00:02:20)
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14
Waltz in E-Flat Major, B94 (1984) (00:02:52)
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15
Waltz in E-Flat Major, B101 (1985) (00:02:46)
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10 Microvalses (Microwaltzes), B42 (1976) (00:04:00 )
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16
No. 1 in B Minor, "Nono Nicolás: Cacique" (Grandpa Nicolás: The Tribe's Chief), B114, No. 1 (00:00:23)
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17
No. 2 in G-Flat Major, "Nona Orlanda: Su mujer" (Grandma Orlanda: His Wife), B114, No. 2 (00:00:22)
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18
No. 3 in D Major, "Hija I: Bolichera en Puntas" (Daughter I: Party Girl), B114, No. 3 (00:00:21)
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19
No. 4 in G Major, "Hija II: Secretaria de tribu" (Daughter II: Tribe's Secretary), B114, No. 4 (00:00:19)
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20
No. 5 in D Minor, "Yerno: Requerido por la Poli" (Son in Law: Wanted by the Police), B114, No. 5 (00:00:21)
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21
No. 6 in D-Flat Major (00:00:21)
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22
No. 7 in E Major (00:00:24)
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23
No. 8 in F-Sharp Minor, "Nieta II: ¿Qué pasa, señor?" (Granddaughter II: What's Going On, Sir?), B114, No. 7 (00:00:17)
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24
No. 9 in E Minor, "Nieta I: ¡Ojo, terremoto!" (Granddaughter I: Be Careful, Earthquake!), B114, No. 6 (00:00:27)
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25
No. 10 in A Minor (00:00:33)
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26
Papirola in D Major, B38 (1974) (00:03:34)
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27
Piruchín in F Major, B65, "Página" (Leaf) (1978) (00:02:32)
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28
Pájaro invisible (Invisible Bird) in A-Flat Major, B68, "Crespín" (Striped Cuckoo) (1979) (00:01:45)
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29
Payasos in F Major, B89, "Clowns" (1982) (00:01:56)
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30
Paráfrasis sobre un tema de Anton Arensky (Paraphrase on a theme by Anton Arensky), B90 (1982) (00:04:48)
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