“Prague-born composer Jaromír Weinberger, a prodigy of near-Mozartian proportions, started the piano at the age of five and was composing by his tenth year. A student of Vítĕzslav Novák and Max Reger, he is the author of more than 100 works in all genres – the most famous being his 1927 hit-opera Švanda Dudák (‘Schwanda the Bagpiper’). While some of his orchestral masterpieces have been receiving the right attention, curiously his unjustly neglected piano music appears here in a series of world première recordings, which give justice to his great compositional variety, depth and contrapuntal mastery.” — Gottlieb Wallisch
The international success of Weinberger’s opera Schwanda the Bagpiper in 1927 has obscured a sequence of piano works written when the composer was still in his teens. The Second and Third Piano Sonatas form a commanding pair, both written in 1915 – the former autobiographical, playful and dark – the latter neo-Classical with Francophile elements. Elsewhere one can admire his use of 16th-century dance forms, his melodic gifts in the Valses Nobles, and his technical command of preludes and fugues in Gravures. The three arrangements from Schwanda show his imperishable use of Bohemian dance forms.
1
Sarabande () (00:06:30)
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Piano Sonata No. 2 in D Minor, Op. 4 (1915) (00:20:00 )
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2
I. Allegro passionato (00:07:49)
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3
II. Vivo ironicamente (00:04:26)
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4
III. Introduzione: Moderato - Fuga: Largo (00:07:25)
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Piano Sonata No. 3 in G Major, "Spinet Sonata" (1915) (00:17:00 )
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5
I. Andantino (00:06:33)
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6
II. Menuett: Allegro giusto (00:05:37)
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7
Finale: Rondo: Vivo (00:04:36)
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8
Pavane pour Dulcinea de Toboso (1916) (00:03:40)
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9
Valses Nobles (1922) (00:03:44)
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Gravures (Rytiny): 5 Preludes and Fugues (1923) (00:18:00 )
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10
Prelude No. 1: Andante - Fugue No. 1: Molto tranquillo (00:04:25)
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11
Prelude No. 2: Moderato - Fugue No. 2: Con moto (00:03:12)
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12
Prelude No. 3: Allegro - Fugue No. 3: Vivo (00:02:14)
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13
Prelude No. 4: Molto tranquillo - Fugue No. 4: L'istesso tempo (00:04:28)
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14
Prelude No. 5: Vivo - Fugue No. 5: Con moto (00:03:37)
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15
Mi-la-do (1924) (00:00:39)
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Švanda dudák (Schwanda, the Bagpiper) (arr. G. Blasser for piano) (excerpts) (1926) (00:07:00 )
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16
Furiant (00:02:29)
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17
Böhmischer Tanz (Sousedská) (00:02:13)
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18
Polka (00:02:18)
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“This Grand Piano release provides a generous sampling of [Weinberger’s] piano music… Gottlieb Wallisch plays with great sensitivity and style.” – Fanfare
“If you like to hear new things and especially of the piano variety, give it a go.” – Classical Music Daily
“…very imaginative and imaginatively composed. Gottlieb Wallisch plays these works with equal spirit and spontaneity.” – Pizzicato