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PALMGREN, SELIM (1878–1951)

Complete Piano Works • 8


  • Jouni Somero, piano

Selim Palmgren, along with his contemporaries Rachmaninov, Glazunov and Sibelius, was invited for a professorship at the Eastman School of Music and was considered the equal of these composers during his day. In Palmgren’s lifetime his music was published and performed widely gaining much popularity and acclaim. Today he is largely forgotten so it is with Jouni Somero’s project to record Palmgren’s complete piano works that we gain a fuller picture of this fascinating composer’s music. From virtuoso concert studies to the remarkable variety in the Ten Pieces, Op. 79, this eighth volume in the series consists almost entirely of world première recordings.

Tracklist

1
Solsken genom tårar (Sunshine through the Tears), SP263 (1946) (00:02:38)
2
Festpreludium (Festival Prelude), Op. 71, No. 1 (1920) (00:02:59)
3
Dimgestalter (Fog Shapes), Op. 71, No. 2 (1920) (00:01:42)
4
Caprice barbaresque, Op. 71, No. 3 (1920) (00:02:58)
5
June, SP120 (1922) (00:02:00)
6
Helsingfors Oldboys Regementes Honnörsmarsch (Helsinki Oldboys Regiment's Honorary March), SP80 (1919) (00:01:33)
7
Kaihomielinen harjoitelma (A Melancholic Exercise), SP125 (1937) (00:00:30)
8
Juoksutusharjoitelma (A Study on Fast Passages), SP123 (1937) (00:00:13)
9
Hilpeä harjoitelma (A Cheerful Study), SP84 (1937) (00:00:15)
10
Allegretto, SP2 (1921) (00:01:25)
11
Con sordino, SP30 (1921) (00:03:48)
12
Drömvisa (Slumber Song), SP45 (1921) (00:02:06)
13
Étude de Concert, SP59 (1898) (00:01:49)
14
Gnistor (Sparks), Concert Study, SP71 (1907) (00:01:04)
15
Concert-Etüde, SP31 (1894) (00:02:13)
16
Country Dance, SP32 (1922) (00:01:14)
17
Country Minuet, SP33 (1922) (00:01:29)
 
3 Pianostycken (3 Piano Pieces), Op. 45 (1914) (00:10:00 )
18
No. 1. Preludium (00:04:15)
19
No. 2. Intermezzo i folkton (Intermezzo in Folk Tone) (00:02:36)
20
No. 3. Menuett (00:03:08)
21
Preludietto, Op. 79, No. 1 (1922) (00:02:29)
22
Finnish Ballade, Op. 79, No. 2 (1922) (00:03:19)
23
Study on A, Op. 79, No. 3 (1922) (00:01:18)
24
Roundelay, Op. 79, No. 4 (1922) (00:01:32)
25
Sunbeams, Op. 79, No. 5 (1922) (00:01:45)
26
Improvisation, Op. 79, No. 6 (1922) (00:03:21)
27
Basso ostinato, Op. 79, No. 7 (1922) (00:02:25)
28
Arietta, Op. 79, No. 8 (1922) (00:01:12)
29
March to the Gallows, Op. 79, No. 9 (1922) (00:01:50)
30
By the Lake, Op. 79, No. 10 (1922) (00:02:59)
31
Crescendo-ostinato, Op. 88, No. 1 (1928) (00:01:32)
32
Danzando, Op. 88, No. 2 (1928) (00:01:05)
33
Armonioso, Op. 88, No. 3 (1928) (00:02:25)
34
Improvisazione, Op. 88, No. 4 (1928) (00:01:56)
35
Toccata, Op. 83, No. 1 (1924) (00:02:18)
36
Näsijärven rannalla (By Lake Näsijärvi), Op. 83, No. 2 (1924) (00:03:00)
37
Humoresque, Op. 83, No. 3 (1924) (00:01:09)
Total Time: 01:15:30

The Artist(s)

Jouni Somero Jouni Somero is one of the most active performers among present Finnish musicians. He has given over 3,100 concerts in many countries worldwide. He studied piano in Switzerland and at the Music Academy in Cologne under Professor Herbert Drechsel, and, under the legendary Hungarian pianist Georges Cziffra, he deepened his knowledge of the interpretation of Liszt’s music. Michael Ponti, the American virtuoso, has also acted as Somero’s musical advisor. Jouni Somero’s recording career began in 1989 (with Liszt’s 12 Transcendental Études), after which he has made over 100 recordings for different labels, including Naxos. His wide repertoire includes all the solo piano works of Rachmaninov, Tchaikovsky and Bortkiewicz, as well as seldomly heard music by, among others, Alkan, Godowsky, Rubinstein, Reinhold, Godard, Cui and Gottschalk. He has also made several piano arrangements of orchestral, operatic and pop music, and his YouTube channel has gained millions of views.

The Composer(s)

Selim Palmgren During the first decades of the past century Selim Palmgren, a pupil of Ferruccio Busoni and Conrad Ansorge, was undoubtedly one of the most performed Nordic composers of piano music. His piano works, including hundreds of pieces and five piano concertos, were being widely performed, and even recorded, by some of the greatest pianists of the era, including Ignaz Friedman, Myra Hess, Wilhelm Backhaus, Benno Moiseiwitch and conducted by star conductors the likes of Arthur Nikisch, Leopold Stokowski and Václav Talich, to name a few. Palmgren’s music was being widely published and distributed by well-known music publishers both in the US and in Europe.