Armande de Polignac was one of an unprecedented number of female composers emerging at the beginning of the 20th century. With training from the likes of Gabriel Fauré and Vincent d’Indy she was able to devote her life to music at the highest level of professionality. From the introspective early Préludes via the luxuriant Russian-infused Échappées to the remarkable sonic realism of Cloches, these recordings reveal Armande de Polignac as one of the greatest French female composers of her time.
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6 Préludes (1900) (00:09:00 )
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1
No. 1. Allegro moderato (00:01:27)
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2
No. 2. Moderato (00:01:22)
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3
No. 3. Allegretto (00:01:06)
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4
No. 4. Allegro (00:02:02)
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5
No. 5. Andantino (00:01:45)
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6
No. 6. Allegro molto (00:01:29)
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7
Nocturne for Piano () (00:06:47)
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8
Pluie (1905) (00:01:42)
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9
Berceuse (1906) (00:08:04)
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Echappées (1909) (00:18:00 )
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10
No. 1. Dans le steppe (00:06:01)
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11
No. 2. Soleil dans la forêt (00:04:56)
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12
No. 3. Bazar d'Orient (00:06:19)
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Cloches () (00:09:00 )
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13
I. Assez modéré (00:03:26)
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14
II. Assez lent (00:04:59)
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Les mille et une nuits (version for piano 4 hands) (1912) (00:21:00 )
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15
I. Le Sultan se promène parmi les richesses de son palais… (00:08:39)
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16
II. Clair de Lune dans les Jardins (00:05:56)
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17
III. Orgie et Danses (00:06:08)
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“…music that evokes bells and plays with melody in a way that could be Rachmaninov. One wonders how this impressively vivid music has fallen into neglect and I hope that we have the opportunity to hear the orchestral version soon. While the early Préludes are merely pleasant, much of the rest is impressive and on the strength of this excellent release her music certainly deserves attention.” – MusicWeb International
“…we start to discover the real gifts of this composer… an impressive exploration of sonority… All the performances are polished and assured, making the strongest possible case for this forgotten voice.” – International Piano