“As many of Weinberg's works for solo piano have been virtually unknown until recently, by virtue of the fact that this music survived both Nazism and Communism they would merit further investigation. That Weinberg himself survived Nazism is a feat in and of itself; that he survived as a Jew in an anti-Semitic, artistically and culturally repressive Communist system yet was so prolific is a testament to his compositional dedication and ultimate creativity. Sonatina Op. 49 is an excellent piece for teaching young students and certainly warrants a worthy place amongst the tried-and-true Sonatinas by Kuhlau and Clementi. Its later revision, Sonata Op. 49bis (included on Vol. 1), and Partita, Op. 54 deserve greater renown amongst pianists of international repute, as they offer tremendous musical and pianistic opportunities.” — Allison Brewster Franzetti
Weinberg’s fraught biography is reflected in many of the piano works which occupied the earlier part of his career. Some exemplify the extreme pressures placed on him, and others, to conform to official diktat – a period when he was arrested for ‘Jewish bourgeois nationalism’ – whilst others reveal the rich inspiration of folkloric music. The second volume of the complete piano works ranges in date from 1950-55. The Partita, Op. 54 is notable for its alternation of the intimate and the intensely dramatic, whereas the Sonatina, Op. 49 is lyrical, though never straightforward. The Piano Sonata No. 4, Op. 56 fuses folk inspiration, rhythmic vivacity and melancholy in a profoundly personal way.
This recording was made on a modern instrument: Fazioli 308 Concert Grand
Partita, Op. 54 (1954) (00:22:00 )
|
1
I. Prelude * (00:00:58)
|
2
II. Chorale * (00:01:56)
|
3
III. Serenade * (00:01:17)
|
4
IV. Sarabande * (00:03:01)
|
5
V. Intermezzo * (00:01:34)
|
6
VI. March * (00:04:57)
|
7
VII. Aria * (00:03:13)
|
8
VIII. Ostinato * (00:01:37)
|
9
IX. Etude * (00:01:45)
|
10
X. Canon * (00:02:16)
|
Piano Sonatina, Op. 49 (1951) (00:06:00 )
|
11
I. Allegro leggiero * (00:02:21)
|
12
II. Adagietto lugubre * (00:02:55)
|
13
III. Allegretto * (00:01:23)
|
Piano Sonata No. 4 in B Minor, Op. 56 (1955) (00:32:00 )
|
14
I. Allegro (00:08:09)
|
15
II. Allegro (00:04:10)
|
16
III. Adagio (00:06:26)
|
17
IV. Allegro (00:09:30)
|
2008 GRAMMY® nominee for Best Instrumental Soloist without orchestra for 20th Century Piano Sonatas on Naxos Records (8.570401), Allison Brewster Franzetti has received international acclaim from critics and audiences alike for stunning virtuosity and musicality. She has performed with the Brooklyn Philharmonic, Long Island Philharmonic, English Sinfonia, Denver Symphony, Colonial Symphony, Queens Symphony, European Women’s orchestra, Buenos Aires Philharmonic, Janáček Philharmonic, and the City of Prague Philharmonic. Solo recitals include critically acclaimed débuts at Merkin Hall, New York and Teatro Colón, Buenos Aires, a special performance at the GRAMMY® Salute to Classical Music honoring Lang Lang and Earl Wild, and concerts throughout the United States, Mexico, Europe, Argentina and Japan. She is a 2003 GRAMMY® Award nominee and a 2002 Latin GRAMMY® Award nominee. An accomplished chamber musician, she has collaborated with renowned composers and performers, including Sir James Galway, John Corigliano, Carlos Franzetti, Lowell Liebermann, David Maslanka, Stephen Paulus, Eugenia zukerman, Julius Baker and Robert White.
“It was a wonderful journey and well worth taking with Allison Brewster Franzetti as our guide.” – Fanfare
“Recommended as another important milestone on the road to redefining Weinberg’s status among modern composers.” – Audiophile Audition
“[Franzetti’s] faultless technique has enabled her to be a persuasive advocate of this endlessly fascinating and powerfully stated music” – MusicWeb International
“There’s tenderness, humor, melancholy and terror in Weinberg’s music and Franzetti brings all of it to the fore.” – Ariama.com
“Allison Brewster Franzetti plays the pieces superbly, underlining their strength without taking them over the top.” – The Dallas Morning News
“The American pianist, Allison Brewster Franzetti, is a persuasive advocate, the early movements of the Partita particularly enjoyable. ” – David’s Review Corner