“The breadth, brilliance and imagination of Saint-Saëns’ piano works never ceases to inspire me! The Op. 3 Six Bagatelles, his first published piano works, are fully mature, beautiful, richly inventive, and – with the final bagatelle – quite poignant. The Op. 72 Album includes movements that match the evocative mystery of late Liszt (“Carillon”), delicate ethereal writing that foreshadows the French Impressionist composers, and Saint-Saëns’ singular virtuosity. In his “Caprice” on Gluck’s Alceste, Saint-Saëns creates an astonishing variety of wrought moods from themes in Gluck’s opera. And the Rhapsodie d’Auvergne is endlessly evocative, explosive and engaging.” — Geoffrey Burleson
Saint-Saëns’ first published works for piano were the vivid and characterful Six Bagatelles, Op. 3. Album, Op. 72 dates from his mid-career and teems with rich colours and textures – haunting and exciting alike. Elsewhere, in this third volume of the Complete Piano Music, we find the richly evocative tone poem Rhapsodie d’Auvergne, paraphrases, and some delicious encores. Camille Saint-Saëns was a piano prodigy, eulogised by Liszt amongst many others, one of the most exciting and imaginative of composers for the instrument, and a central figure in French Romanticism. His facility to evoke scenes, personalities and colours was profound and his very personal use of baroque and classical forms was ingeniously eventful.
6 Bagatelles, Op. 3 (1855) (00:16:00 )
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1
Bagatelle No. 1: Poco sostenuto (00:02:29)
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2
Bagatelle No. 2: Allegro animato quasi presto (00:03:10)
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3
Bagatelle No. 3: Poco adagio (00:02:59)
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4
Bagatelle No. 4: Moderato assai (00:02:10)
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5
Bagatelle No. 5: Allegro molto (00:04:10)
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6
Bagatelle No. 6: Poco sostenuto (00:05:56)
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Album, Op. 72 (1884) (00:23:00 )
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7
No. 1. Prelude (00:03:26)
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8
No. 2. Carillon (00:04:26)
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9
No. 3. Toccata (00:02:19)
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10
No. 4. Valse (00:04:37)
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11
No. 5. Chanson Napolitaine (00:03:49)
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12
No. 6. Final (00:05:25)
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13
Rhapsodie d'Auvergne, Op. 73 (1884) (00:09:53)
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14
Caprice sur des airs de Ballet d'Alceste de Gluck (1868) (00:12:03)
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15
Les cloches du soir in E-Flat Major, Op. 85 (1889) (00:03:14)
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16
Romance sans paroles (1871) (00:02:04)
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17
Feuillet d'album in A-Flat Major, Op. 169 (1921) (00:03:04)
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“Burleson rides the musical waves like a bronzed champion surfer.” – MusicWeb International
“All this music is played with verve and commitment by Burleson” – Gramophone
“The American pianist, Geoffrey Burleson, who has already given much pleasure in the series, is our reliable tour guide in excellent recorded sound.” – David’s Review Corner