“Mozartiana is a compilation of W.A. Mozart’s complete and incomplete compositions interpreted on two extremely rare historical instruments, the tangentenflügel and the pantalon. The project came about in early 2018 when my dear friend Pooya Radbon contacted me after restoring a Berner Tangentenflügel (late eighteenth century) and a Maucher Pantalon (c. 1780). He asked if I would consider making a recording on them, and our conversation centred on rare arrangements of Mozart’s incomplete works, such as Franz Beyer’s 1995 completion and piano arrangement of Mozart’s ballet-pantomime Pantalon und Colombine, K. 446-Fs (tracks 2-14), in which he played Harlequin during the carnival season of 1783. These scores demand from us as interpreters not only technical mastery and reverence for the stylistic practices of the past, but also an active imagination and bold interpretation. It is my conviction that Mozart would have been happy to listen these piano arrangements on two marvelous and original historic instruments, restored and revived almost 230 years after his death.” — Michael Tsalka
Keyboard arrangements of Mozart’s compositions, ranging from one of his earliest minuets to his tribute to J.S. Bach, reveal the variety and fecundity of his imagination, not least in the inspired collection made by the great pianist Edwin Fischer, and in the excerpts from the playful Londoner Skizzenbuch. They are performed on two original and newly restored instruments, the Tangentenflügel—a transitional keyboard instrument with a unique tone quality that sounds like a harpsichord endowed with dynamics—and the pantalon square piano. This is the first recording ever made of a historical pantalon.
This recording was made on a period instrument: Berner Tangentenflügel and Maucher Pantalon Square Piano from the Pooya Radbon Collection
1
Adagio in B Minor, K. 540 (1788) (00:08:07)
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Musik zu einer Pantomime Pantalon und Colombine, K. 446 (completed, edited and arranged by F. Beyer for piano) (1783) (00:24:49 )
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2
Overture (arr. from Symphony No. 11 in D Major, K. 84: I. Allegro) (00:03:17)
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3
No. 1. Allegro: Pantalon und Colombine zanken sich (00:00:43)
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4
No. 2. Maestoso: Der Dottore kommt (00:02:05)
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5
No. 3. Allegro: Pierò kommt gelaufen. Pantalon, Pierò und Dottore liegen aufe der Erde (00:01:06)
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6
No. 4. Poco Adagio: Dottore und Colombine steht unbeweglich (00:00:48)
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7
No. 5. Andante molto: Pantalon und Pierò bringen den Tisch (00:00:50)
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8
No. 6. Adagio: Colombine ist ganz traurig - Allegro: Arlequin guckt aus dem Kasten heraus (00:04:47)
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9
No. 7. Allegro maestoso (00:01:05)
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10
No. 8. Larghetto: Pierò geht auf und ab, sieht den Türken (00:01:31)
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11
No. 9. Allegro (ma non troppo) - Presto (00:00:58)
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12
No. 10. Maestoso (00:02:49)
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13
No. 11. Allegro: Pierò fürchtet sich vor dem toten Arlequin - Marcia - Allegro (00:03:39)
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14
No. 12. Finale (arr. from Presto in D Major, K. 120) (00:01:11)
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15
Klavierstück in F Major, K. 33b (1766) (00:01:02)
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16
London Sketchbook, K. Anh. 109b: [Allegretto] in F Major, K. 15a (1765) (00:01:06)
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17
London Sketchbook, K. Anh. 109b: [Andantino] in C Major, K. 15b (1765) (00:01:33)
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18
London Sketchbook, K. Anh. 109b: [Contredanse] in F Major, K. 15h (1765) (00:00:50)
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19
London Sketchbook, K. Anh. 109b: [Minore] in A Minor, K. 15k (1765) (00:01:09)
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20
London Sketchbook, K. Anh. 109b: [Siciliano] in D Minor, K. 15u (1765) (00:01:31)
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21
Minuet in G Major, K. 1 (arr. E. Fischer for piano as Mozartiana: I. 3 Menuette: No. 1) (1762) (00:02:14)
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22
Minuet in F Major, K. 2 (arr. E. Fischer for piano as Mozartiana: I. 3 Menuette: No. 2) (1762) (00:00:47)
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23
Minuet in D Major, K. 94 (arr. E. Fischer for piano as Mozartiana: I. 3 Menuette: No. 3) (1769) (00:01:18)
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24
Fantasy in F Minor, K. 608 (arr. E. Fischer for piano as Mozartiana: II.) (1791) (00:11:51)
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25
Andantino in E-Flat Major, K. 236 (Mozart's arr. of Non vi turbate from C.W. Gluck's Alceste, arr. E. Fischer for piano as Mozartiana: III.) () (00:01:09)
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26
Contredanse in D Major, K. 534, "Das Donnerwetter" (arr. E. Fischer for piano as Mozartiana: IV.) (1788) (00:02:39)
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27
Romance in A-Flat Major, K. Anh. 205/K. Anh. C27.04 (arr. E. Fischer for piano as Mozartiana: V.) () (00:05:04)
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28
Variations on an Arietta from G. Sarti's I Finti Eredi, K. Anh. 289/K. Anh. C26.06 (arr. E. Fischer for piano as Mozartiana: VI.) () (00:07:57)
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“Tsalka treats us to a most engaging pastiche” – Fanfare
“Michael Tsalka is a sensitive interpreter who knows exactly how to handle the two instruments, making sure that their respective qualities come fully to the fore.” – MusicWeb International
“Tsalka, playing the series of sparkling, spirited miniatures from the completed, edited and arranged version by German musicologist Franz Beyer (1922-2018), provides the listener with fine entertainment, giving the lively, uninhibited tangent piano carte blanche to evoke the exaggeration, coquettishness, pseudo-dramas, humour and, above all, the devil-may-care and flamboyant sauciness that are part and parcel of the Commedia dell’Arte tradition…” – Pamela Hickman’s Concert Critique Blog