The 2019 OPUS Klassik nominees were announced last week and Grand Piano artist Inga Fiola was nominated in two categories: Best Instrumentalist (Piano) and Best Instrumental Solo Performance. Both nominations were for her second album of Mikhail Glinka’s piano music. The series thus far has received much critical acclaim. The first volume received four stars from International Piano, which described Inga Fiola as ‘the perfect guide to Glinka’s piano music,’ while The WholeNote praised volume two, saying, ‘Fiolia is a natural performer for this genre. Something about the dance form, regardless of its origin or style, seems to draw from her a fluid response that sways with the music.’
Of her OPUS Klassik nominations, Inga had this to say: ‘I’m very happy to have been nominated. I think the music of Glinka deserves the recognition. For me, he was a great music figure in history, with his own unique style, and his piano music is an integral part of my repertoire. I believe Glinka’s time has finally come.’
Congratulations, Inga! We’re all wishing you the very best!
Philip Glass embarked on his Études for piano in 1991, a project that continued over the years to reach a total of twenty works in 2012. A gala performance of the resulting Intégrale des Études pour piano was held at the Philharmonie de Paris on 17 and 18 May 2019, during which Philip Glass himself performed the first two studies before yielding the piano stool to nine other distinguished pianists to complete the performance: Timo Andres, Anton Batagov, Célimène Daudet, Aaron Diehl, Thomas Enhco, Nicolas Horvath, Katia Labèque, Marielle Labèque and Maki Namekawa.
Followers of the Grand Piano label will in particular recognise from that list the name of Nicolas Horvath. His 5-volume Glassworlds for the label comprises all of Glass’ piano works, an undertaking outdone in stamina only by his live, 12-hour recital of the complete works in 2016, also held at the Philharmonie de Paris, which attracted a cumulative audience of some 14,000 people.
Performing alongside the composer himself at this latest event proved a memorable occasion for Horvath:
“I presented the composer with copies of the 5 Glassworlds volumes together with Glass Essentials, the selection I recorded on LP. He was amazed by the totality of what we had recorded, including some pieces he couldn’t believe we had turned up. He also kindly autographed all my scores and books of his works.”
Grand Piano is sad to record the passing of Greek composer Theodore Antoniou, on 26 December 2018. He was aged 83.
Born in Athens in 1935, Theodore Antoniou belonged to the generation of renowned composers that included Ligeti, Crumb, Penderecki, Stockhausen and Xenakis. He was latterly a professor emeritus at Boston University and president of the Greek Composers’ Union, a position he held for more than 25 years. In recognition of his contribution to the international musical scene, he was elected a member of the Academy of Athens, Greece’s highest intellectual establishment.
Antoniou’s prolific output of more than 450 works includes 8 significant works for solo piano, all of which feature on Konstantinos Destounis’ 2018 release for Grand Piano (GP779). It includes six world premiere recordings and was made in the presence of the composer, who considered Konstantinos Destounis “a phenomenon… a great interpreter of my complete piano works.”
We send congratulations to two Grand Piano artists whose recordings have been selected for inclusion in The Best 100 Albums of 2018, compiled by Ted Gioia, one of America’s most respected musicians and authors.
Gioia, who has published in many of the country’s leading newspapers, periodicals and websites, has an eclectic musical interest and expertise. This is reflected in the list of his top 100 albums that places Tanya Ekanayaka’s recording of her own compositions Twelve Prisms (GP785) and Martin David Jones’ programme of works by Friedrich Gulda (GP759) alongside recordings by artists such as Brian Eno, Keith Jarrett, Prince, Steve Reich and the Ensemble Gilles Binchois.
‘The music is improvisational in effect, yet careful listening reveals real care in the construction … it is in the international interplay that the fascination lies. The music is always beautifully performed by the composer.’
– International Piano
‘A terrific selection of the multi-talented—and how!—Gulda’s compositions, the product of a sui generis creative spirit if ever there were one. The blisteringly virtuosic Variations on The Doors’ “Light My Fire” alone are worth the price of admission.’
– Records International
NICOLAS HORVATH has once again graced the Grand Hall of the Philharmonie de Paris, this time in an 8-hour recital of Erik Satie’s complete piano works. Many journals subsequently hailed it as the leading cultural event of the 2018 Paris Nuit Blanche (White Night) Festival. Horvath opened this latest in his series of epic programmes on the evening of October 6 with Vexations, and finished with Gymnopédie No. 1 the next morning. Horvath presented Philip Glass’ complete works for piano in the same venue two years ago, when the recital lasted some 12 hours. You can watch a video of the entire Satie concert by visiting PhilharmoniedeParis.fr (available for the next six months).
The latest volume in Horvath’s Satie complete piano edition on Grand Piano was released in May 2018 (GP763). Gapplegate Classical-Modern Music Review commented that “His performances have a touching freshness and lack of pretense that seem to me nicely hewing to the spirit of these works. In that way perhaps you hear the Satie a little bit more than you hear the pianist, which is in no way a bad thing. Horvath is pretty selfless throughout.” Previous volumes in the set are available on GP761 (Vol. 1) and GP762 (Vol. 2).