“Tigran Chukhajian held an important place in the history of Armenian music. As the largest and most significant Armenian composer of the 19th century, he was known as the ‘Armenian Verdi’ among his contemporaries. But like many Armenian cultural figures who lived under the repressive conditions of Ottoman Turkey, Chukhajian was subjected to persecution and artistic suppression, resulting in his music being largely forgotten until today. The music of Chukhajian is a triumph of the human spirit over the cruel realities he faced during his lifetime, and I am very pleased to be able to share this treasure trove of piano music to music lovers everywhere.” — Mikael Ayrapetyan
Tigran Chukhajian is highly significant in the history of Armenian music: he was the first composer to combine Western and Eastern cultures, and was referred to as the ‘Armenian Verdi’ amongst his contemporaries. Persecution under the repressive Ottoman Turkish regime led to his music being suppressed, but these piano works are a sophisticated testament to Chukhajian’s Romantic inclinations, absorbing the influences of Chopin and Liszt, and enriching them with Oriental nuances and descriptive themes.
This recording was made on a modern instrument: Steinway, Model D. 274
1
Impromptu in B-Flat Minor, "Cascade de Couz" (1887) (00:04:17)
|
2
Dance Caractéristique in A Minor, "L'Orientale" (1891) (00:05:52)
|
3
Grande Valse Fantastique in A Minor, "Illusions" (1888) (00:06:56)
|
4
Tarantelle in B-Flat Minor (1887) (00:03:27)
|
5
Caprice in E Minor, "La Lyre Orientale" (1894) (00:11:19)
|
6
Mazurka de Salon, "Mignon" (1887) (00:04:11)
|
7
Une Gavotte de plus in E-Flat Major (1883) (00:03:54)
|
8
Polka in F Major, "La gaité" (1892) (00:02:38)
|
9
Proti Polka in G Major (1892) (00:02:27)
|
10
Funeral March in D Minor (1884) (00:06:49)
|
11
Fantaisie Orientale No. 1 in A Minor, "Sur des motifs turcs" (1859) (00:07:27)
|
12
Fantaisie Orientale No. 2 in A Minor, "Sur des motifs turcs" (1895) (00:11:55)
|
“Ayrapetyan is top notch and is able to communicate both the playful and serious moods in this repertoire.” – American Record Guide