“The second volume of my survey of Cartas Celestes features numbers 4, 5 and 6. These were originally intended to be the last ones, as it was not until 15 years later that Prado would go back to the form. Thus, they close a first cycle, painting with sounds the remaining planets from our solar system, including the Earth in all its majesty in Cartas Celestes No. 6, and magically reintroducing all of them as heard in previous volumes in a Ciranda around the Sun. I remain constantly enchanted and intrigued by Prado's soundworld, who kept an innovative, scintillating and spellbinding approach to the instrument, achieving effects not previously thought or heard of.” — Aleyson Scopel
Cartas Celestes (Celestial Charts) is a colossal 18-movement cycle of works depicting celestial bodies to be seen in the Brazilian sky, for which Almeida Prado, one of Brazil’s most prolific and best-known composers, invented a new harmonic language called “transtonality”. Dense and rhythmically charged and saturated in the richest colours, Nos. 4, 5 and 6 complete the composer’s portrayal of the planets.
This recording was made on a modern instrument: Hamburg Steinway & Sons Concert Grand Model D
1
Cartas Celestes No. 4 (1981) (00:30:22)
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2
Cartas Celestes No. 5 (1982) (00:24:03)
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3
Cartas Celestes No. 6 (1982) (00:21:40)
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“…Scopel’s pianistic skills are extraordinary but it is primarily his intense identification with this music that makes the performances so great.” – The Art Music Lounge