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ALMEIDA PRADO, JOSÉ ANTÔNIO REZENDE DE (1943–2010)

Complete Nocturnes • Ilhas


  • Aleyson Scopel, piano

Almeida Prado’s colossal piano cycle Cartas Celestes (‘Celestial Charts’) offers a paradigm of audacious invention (GP709, 710, 746, 747) but between 1985 and 1991 this prolific Brazilian composer also wrote a set of 14 nocturnes that display the genre’s lyrical impulses. Along with abstract elements and features such as synesthesia, used in homage to his teacher Messaien, the full range of influences can be felt in Almeida Prado’s Nocturnes: Chopin, Scriabinesque colour, bossa-nova, Brahms-like intervals, serenity and radiant songfulness. Ilhas (‘Islands’) is a mystical but programmatic work, the predecessor of Cartas Celestes in many essential elements. Aleyson Scopel is an award-winning Brazilian pianist and one of Almeida Prado’s greatest contemporary advocates.

Tracklist

1
Nocturne No. 1 (1985) (00:03:16)
2
Nocturne No. 2 (1985) (00:04:34)
3
Nocturne No. 3 (1985) (00:04:45)
4
Nocturne No. 4 (1985) (00:03:22)
5
Nocturne No. 5 (1985) (00:04:58)
6
Nocturne No. 6 (1986) (00:03:34)
7
Nocturne No. 7 (1987) (00:03:48)
8
Nocturne No. 8 (1987) (00:02:38)
9
Nocturne No. 9 (1987) (00:03:41)
10
Nocturne No. 10 (1987) (00:02:10)
11
Nocturne No. 11 (1991) (00:03:07)
12
Nocturne No. 12 (1991) (00:03:55)
13
Nocturne No. 13 (1991) (00:02:45)
14
Nocturne No. 14 (1991) (00:05:01)
15
Ilhas (Islands) (1973) (00:17:54)
Total Time: 01:09:28

The Artist(s)

Aleyson Scopel Brazilian pianist Aleyson Scopel has performed worldwide in solo, chamber and concerto settings. A recipient of the Nelson Freire and Magda Tagliaferro awards, he has also won numerous prizes in international competitions such as the William Kapell, Villa-Lobos, Corpus Christi, Kingsville and Southern Highland International Piano Competitions. His performance of the first set of Cartas Celestes by Almeida Prado was thus received by the composer: ’It came straight from heaven! Meteor Showers, radiant constellations, glowing nebulae and a transcendental vitality marked the genial interpretation of this colossal pianist.’ Prado would later dedicate to Scopel the 15th set of the series. Aleyson Scopel graduated with distinction in performance and academic honours from the New England Conservatory of Music, in Boston.

The Composer(s)

One of the most prolific composers to emerge from Brazil, José Antônio Rezende de Almeida Prado began as a cultivator of nationalism, studying with Camargo Guarnieri, but as a pupil of Boulanger and Messiaen in Paris was compelled to look for other means of self-expression, attaining a level of aesthetic freedom which encompassed atonalism, post-serialism, extended and free tonalism. Among his most important achievements, referred to by him as an “incredible adventure”, are his 18 Cartas Celestes (Celestial Charts), a set of works depicting the sky and constellations, in which he adopted a new harmonic language called “transtonality”. Of the 18 Cartas Celestes, 15 are written for solo piano, while the remaining three are scored two pianos and symphonic band (No. 7), for violin and orchestra (No. 8) and for piano, marimba and vibraphone (No. 11).