“This recording, a follow-up to Almeida Prado's complete Cartas Celestes for piano, demonstrates how multifaceted and varied his sound world is. The Nocturnes are pearls of intimacy and lyricism and pay homage to the idiom of other composers with whom Almeida Prado had an affinity. Nocturne No. 4 is an audience favourite and one of the simplest, yet most memorable. My personal favourite is No. 1, which sums up his inventive new gestures. Ilhas (‘Islands’) is a piece that precedes the compositional techniques employed in his Cartas Celestes, and already shows how the piano's resonance plays a very important role.” — Aleyson Scopel
Almeida Prado’s colossal piano cycle Cartas Celestes (‘Celestial Charts’) offers a paradigm of audacious invention (GP709, 710, 746, 747) but between 1985 and 1991 this prolific Brazilian composer also wrote a set of 14 nocturnes that display the genre’s lyrical impulses. Along with abstract elements and features such as synesthesia, used in homage to his teacher Messaien, the full range of influences can be felt in Almeida Prado’s Nocturnes: Chopin, Scriabinesque colour, bossa-nova, Brahms-like intervals, serenity and radiant songfulness. Ilhas (‘Islands’) is a mystical but programmatic work, the predecessor of Cartas Celestes in many essential elements. Aleyson Scopel is an award-winning Brazilian pianist and one of Almeida Prado’s greatest contemporary advocates.
1
Nocturne No. 1 (1985) (00:03:16)
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2
Nocturne No. 2 (1985) (00:04:34)
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3
Nocturne No. 3 (1985) (00:04:45)
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4
Nocturne No. 4 (1985) (00:03:22)
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5
Nocturne No. 5 (1985) (00:04:58)
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6
Nocturne No. 6 (1986) (00:03:34)
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7
Nocturne No. 7 (1987) (00:03:48)
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8
Nocturne No. 8 (1987) (00:02:38)
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9
Nocturne No. 9 (1987) (00:03:41)
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10
Nocturne No. 10 (1987) (00:02:10)
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11
Nocturne No. 11 (1991) (00:03:07)
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12
Nocturne No. 12 (1991) (00:03:55)
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13
Nocturne No. 13 (1991) (00:02:45)
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14
Nocturne No. 14 (1991) (00:05:01)
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15
Ilhas (Islands) (1973) (00:17:54)
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“This is an interesting, illuminating album… Prado’s music has a sensitive and sympathetic interpreter in Scopel. ” – American Record Guide
“Scopel is a master of both mood and articulation, bringing out the structure of these pieces without over-emphasizing anything yet still making every note, even in the inner voices, audible to the listener. Quite simply, this is an astounding album.” – The Art Music Lounge
“[Scopel’s] play with colors and the resulting atmosphere are captivating. ” – Pizzicato